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Anne Mette Iversen's Double Life: So Many Roads
by Dan Bilawsky
Music making, like life itself, is all about balance. In both worlds, highs and lows, triumphs and tragedies, harmony and melody, chaos and order, the clinical and the emotional, the simple and complex, and so much more are constantly being balanced on the scales. Rarely are things in perfect equilibrium, yet so many people strive to ...
NJPAC's Brick City Jazz Orchestra debuts in Newark's Branch Brook Park
Music blossomed in Newark when the Brick City Jazz Orchestra made its premiere under blue skies. With the opening notes of Kenny Dorham’s “Blue Bossa,” NJPAC’s Brick City Jazz Orchestra heralded its official debut in Newark’s Branch Brook Park. The sun was hot, but the student musicians were the epitome of cool. The park’s famed cherry ...
In Memoriam: Fred Ho
"Fred Ho's style is a genre unto itself, a pioneering fusion of free-jazz and traditional Chinese music that manages to combine truculence and delicacy with such natural ease that it sounds positively organic." Larry Birnbaum, Down Beat. After 8 years of a grueling cancer war, Fred Ho peacefully passed away the morning of April 12th, 2014. ...
David White Jazz Orchestra: The Chase
by Dan Bilawsky
The Chase is one heck of a wild ride. Trombonist David White has followed up his Jazz Orchestra's debut--Flashpoint (Mister Shepherd Records, 2011)--with an album that's short on material but rich in content. A scant thirty-four minutes of music can be found on this one, with all but one of the six tracks falling in the ...
Brian Blade: Fellowship - More Than Just a Word
by John Kelman
In the 21st century, few drummers have managed Brian Blade's kind of crossover success. Beyond playing in saxophonist Wayne Shorter's quartet for nearly 15 years, beyond being a first-call drummer for producer/singer/songwriter Daniel Lanois--whether it's for his own projects like Black Dub or working with everyone from Bob Dylan to EmmyLou Harris--and beyond also being on-call ...
Mark Weinstein: Latin Jazz Underground
by Dan Bilawsky
Has flautist Mark Weinstein run out of ideas on how to merge various dialects of Latin jazz with other musical tongues? The answer is a resounding no." Latin Jazz Underground finds Weinstein saluting the loft jazz scene of the '70s by tackling the work of jazz iconoclasts-turned-icons--pianist Andrew Hill and saxophonists Ornette Coleman and Sam Rivers--and ...
Sons of Kemet: Burn
by Phil Barnes
The first thing you notice about Shabaka Hutchings' latest project, Sons of Kemet, is the unexpectedly large feel to the recording's soundscape. Not only does it have the hallmarks of a warmer analogue past but the reverb is at times extraordinary, being akin to hearing the band play in an immense auditorium with twice as many ...
Danny Fox Trio: Wide Eyed
by Dan Bilawsky
"This record is the result of countless hours of writing, rehearsing in a basement, touring around the country in a clown car, drinking too much coffee, beating jokes into the ground, listening to all kinds of music together, and pushing each other to try new things (be it musically or using cruise control on the highway)." ...
Hans Tammen / Denman Maroney: Arson
by Eyal Hareuveni
Hyper-pianist Denman Maroney, known for his ongoing collaborations featuring double bass master Mark Dresser with the experimental sound artist and conceptual explorer of the so- called endangered guitar" Hans Tammen, have been working together since 1998 as a duo and in other formations. Unfortunately, until now the innovative work of this unique duo was documented only ...
3 Cohens: Tightrope
by Angelo Leonardi
Nei loro dischi precedenti (vedi Family) c'erano diversi momenti in cui i fratelli israeliani s'esibivano in libere improvvisazioni a tre voci. In questo nuovo lavoro questa modalità improvvisativa diventa centrale, pur innestandosi nel rispetto della tradizione che caratterizza la loro collaborazione. Il trombettista Avishai Cohen (da non confondere con l'omonimo bassista), il sassofonista Yuval ...

