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Nate Wooley, Seymour Wright: About Trumpet and Saxophone
by John Eyles
About Trumpet and Saxophone has an intriguing image across the back and front of its double fold-out sleeve. Painted by Geoff Wright in 1968 and entitled Svetlana, it consists of eight images of a woman which, read from left to right, show her dressing from compete nakedness through the donning of items of underwear to full ...
Stan Tracey: The Flying Pig
by Duncan Heining
Stan Tracey is one of the most highly regarded British jazz musicians of any era. Doesn't matter who you speak to--fans, critics or fellow musicians such as Guy Barker, John Surman, Evan Parker or Keith Tippett--Tracey's story is, in many ways, the history of post-war British jazz. This new CD, Flying Pig, is more than a ...
Forebrace: Bad Folds
by John Eyles
Largely because of his contrasting instruments, there have long been two sides to clarinetist and guitarist Alex Ward. But it goes further than the differences between his chosen instruments, for Ward straddles other important divides including those between composition and improvisation, between electric and acoustic, and between rock music and--for want of a better word--jazz. As ...
Live From Old York: Delta Saxophone Quartet, Ballaké Sissoko, Larry Miller & Blackbeard's Tea Party
by Martin Longley
Delta Saxophone Quartet The Chapel November 22, 2013 The Delta Saxophone Quartet's best-known album is Dedicated To You, But You Weren't Listening (MoonJune, 2007) which tackled the music of Soft Machine, particularly concentrating on the the output of bassist/composer Hugh Hopper. Delta is a group which ostensibly exists within ...
Nicolas Meier: Kismet
by Bruce Lindsay
Guitarist Nicolas Meier is blessed with precise intonation, fluid technique and mastery of a range of different styles. As a composer, he mixes influences from Turkey, central Europe, Iberia and the Americas to craft accessible, melodic tunes. On Kismet his talents as musician and writer come together to create what might be his best album to ...
Rachael Cohen: Halftime
by Bruce Lindsay
The Shetland Islands, way up north off the coast of Scotland, have a long and noble history of producing fine folk and roots musicians. They've never really garnered plaudits for their jazzers, but that might be about to change. The islands were home to saxophonist Rachael Cohen for the first dozen years of her life and ...
Evan Parker at the The Vortex
by Sammy Stein
Evan Parker, John Edwards, John Russell The VortexLondon November 21, 2013 Outside the Vortex a man turned to me and said, “Well, I was expecting something, you know, a bit radical but nothing quite like this!" I knew just what he meant. We had just come outside for some ...
Don Weller: The First Cut
by Roger Farbey
From the opening few bars of the first track “Jubileevit" it's clear that this is not the usual jazz rock ensemble. An insistent and memorable riff clearly sets out this long-departed band's métier. The majestic intro to “Dog and Bull Fight" gives way to a hugely satisfying theme, marrying the disparate qualities that made the Mahavishnu ...
London Jazz Festival 2013
by Duncan Heining
Enrico Pieranunzi, Julie Sassoon and Stan Tracey--Pianos on the Edge London Jazz Festival November 15-24, 2014 The Bishopsgate Institute in the City of London, a few blocks from the Bank of England, might seem an odd place for a jazz gig but--under the auspices of the Vortex Jazz Club in Dalston--stranger ...
Peter Lemer Quintet: Local Colour
by Glenn Astarita
British keyboardist Peter Lemer is highly regarded for his contributions to the fabled 1970s Canterbury progressive rock scene via his work with Gong, Gilgamesh and other bands of that bygone era and beyond. However, Local Colour originally released in 1968, is a free-form jazz outing that signifies Lemer's first and only solo venture. Moreover, this album ...
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