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The Apophonics: On Air
by John Sharpe
In On Air, radical English saxophonist John Butcher combines two favorite pairings into a threesome which explores a fresh take on the traditional sax/bass/drums model. When Californian percussionist Gino Robair first performed with Butcher in a 1997 recording session in Oakland, something clicked and they have toured extensively since, releasing three duo CDs and nine in ...
Johanna Graham: Don't Let Me Be Lonely
by Fiona Ord-Shrimpton
Say their names: Kate Bush, Lordes, Johanna Graham. There's a common thread between these women--a need for drama, designed lyrics and a refreshingly diminished thirst for quick-fix mass appeal, which makes them seem lacking in the lust-for-fame department. What do they have to prove to anyone? The lyrics they write and sing have lived-in depth, their ...
The Basin Street Brawlers: It's Tight Like That
by Bruce Lindsay
It's Tight Like That! is the debut release from the Basin Street Brawlers. Self-styled “purveyors of hot jazz"--indeed, with laudable hubris, “London's own master exponents of hot jazz"--the Basin Street Brawlers hark back to a bygone age, when sharp suits were de rigueur and bands that failed to get their audiences dancing would soon be excluded ...
Linley Hamilton: Right On The Wavelength
by Ian Patterson
Trumpeter Linley Hamilton has been a mainstay of the Northern Irish jazz scene for well over two decades. An in-demand session musician, Hamilton has played on over a hundred recordings of various stripes, lending his burnished tone to rock and pop artists and singer-songwriters alike. But it's as a jazz musician, jazz educator, jazz radio broadcaster, ...
Live From Old York: Mark Lockheart, King Courgette, La Mer Trio & YO1 Festival
by Martin Longley
Mark Lockheart's Ellington In Anticipation The National Centre For Early Music April 25, 2014 The music of Duke Ellington might represent an oft-traversed path across the jazz firmament, but the English saxophonist and composer Mark Lockheart can justify such persistent attentions. During the last decade, this tenor man has ...
Alan Wilkinson/Steve Noble/John Coxon/Pat Thomas: The Founder Effect I
by Mark Corroto
You cannot judge a book by its cover. Maybe, but music fans somehow know that expression doesn't lend itself to album covers (in this case, CD covers). Look at the Blue Note Records covers from the 1960 sixties, Miles Davis' On The Corner (Columbia, 1972), or The Clash's London Calling (Columbia, 1979), and tell me you ...
Peter Hammill / Gary Lucas: Other World
by Glenn Astarita
On paper, this alliance might seem like an improbable encounter. Vocalist and multi-instrumentalist Peter Hammill is revered for his work with the legendary progressive rock unit, Van Der Graaf Generator. While guitarist Gary Lucas' resume contains a historic affiliation with avant, blues-rock wiz Captain Beefheart amid stints within New York City's downtown scene denizens, vocalist Joan ...
Nat Birchall Quintet: Live In Larissa
by Bruce Lindsay
Two shows on the tiny stage of the Duende Jazz Bar in Larissa, Greece, in May 2013, form the basis for the Nat Birchall Quintet's Live In Larissa: a live album that provides a welcome and impressive addition to Birchall's discography.Birchall, a master of soprano and tenor saxophones who's based in the north west ...
Jamie Alexander Smith: Kinesis
by Bruce Lindsay
Kinesis, from the young Edinburgh based pianist Jamie Alexander Smith, is sub-titled Four Improvisations On Piano. The sub-title pretty much explains things--on a basic level and except for the fact that a fifth track, “WKG," puts in an appearance. Of course, while the basic level of explanation hints at Smith's compositional approach and makes his instrument ...
Jon Mapp: The World Will End with A Bang
by Eyal Hareuveni
British electric bass guitarist Jon Mapp suggests two parallel ways to experience his debut solo album. The first, and most impressive one, feature his unorthodox technique and personal improvisational approach. Mapp plays the bass guitar as an instrument that its sonic spectrum is similar to the acoustic guitar, varying his gentle, melodic touch with percussive sounds. ...
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