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Soweto Kinch: The Legend Of Mike Smith
by Bruce Lindsay
Once upon a time the C-word was in common usage. It isn't heard so much these days, but the older generation mustn't be lulled into a false sense of security, because the younger generation remains perfectly capable of using the word on occasions. This is one of those occasions, because Soweto Kinch's The Legend Of Mike ...
Jazz Guitarist Matt Warnock Joins University Of Chester Staff
A globally recognized jazz guitarist, who has taught and played throughout the US, UK, Canada and Brazil, has joined the University of Chester’s Performing Arts Department. Dr Matt Warnock, who is known to hundreds of thousands of guitarists via his teaching website mattwarnockguitar.com, has been appointed as a Lecturer in Popular Music Studies at the University ...
And So to Dotage - Not!
by Sammy Stein
It is a funny thing but when you are young, you expect things to be short- lived and to fade almost as quickly as they become popular, like the crazes of deely boppers, leg warmers and clackers, which at the time, were must-haves. It was the same with music--the teenage idols in the '70s were The ...
Brigitte Beraha And John Turville: Red Skies
by Bruce Lindsay
On the sleeve and the CD it's “Brigitte Beraha and John Turville"; on the press release and the electronic data it's “John Turville and Brigitte Beraha." This inconsistent approach to credits has no impact on the quality of the music on Red Skies, of course, but it is perhaps indicative of the ego-free zone inhabited by ...
Kenny Wheeler / Norma Winstone / London Vocal Project: Mirrors
by Ian Patterson
That trumpeter/flugelhornist/composer Kenny Wheeler is challenging himself at 80 is surely inspirational. Mirrors represents his first recording where poems provide the music's source, though he composed the music over 20 years ago. The project was then commissioned for five solo voices in 1998, but the combination of Wheeler, singer Norma Winstone and the London Vocal Project, ...
Richard Thompson: Electric [Deluxe]
![Read "Richard Thompson: Electric [Deluxe]" reviewed by John Kelman](https://s3.amazonaws.com/allaboutjazz/coverart/large/richardthompson_electric.jpg)
by John Kelman
The title may be Electric--and, to be sure, it contains no shortage of the unfettered Celtic quirkiness that's garnered Richard Thompson accolades like “the best electric guitarist since Jimi Hendrix" (Scott Timberg, L.A. Times)--but that doesn't mean there's a paradigm shift going on in the British singer/songwriter's overall modus operandi. Instead, what Thompson does, as he's ...
Barney Hoskyns: Trampled Under Foot - The Power and Excess of Led Zeppelin
by Nenad Georgievski
Trampled Under Foot: The Power and Excess of Led Zeppelin Barney Hoskyns 640 pages ISBN: 9780571259359 Faber and Faber 2012 It takes little for a band of such stature as Led Zeppelin to start a raging wildfire or to cause tsunami-like shockwaves every time ...
Dave Hamblett: Light At Night
by Bruce Lindsay
Anyone wishing to explore the wealth of talent to be found among the UK jazz scene's up-and-coming musicians can cheerfully begin here. Light At Night, the debut from drummer Dave Hamblett, features six of the finest of these young players. The album is impressively consistent, with Hamblett's thoughtful compositions drawing some fine performances from the drummer ...
John Edwards / Okkyung Lee: White Cable, Black Wires
by John Eyles
After its impressive debut, it is gratifying to report that the Fataka label seems set to continue in similar vein. Recorded by Sebastian Lexer in May 2011, White Cable, Black Wires follows the pattern of the first two Fataka releases, featuring a small, intimate setting involving a key London improviser-- this time, bassist John Edwards paired ...
Photographer William Ellis's column One LP comes to All About Jazz
All About Jazz has partnered with world-renowned photographer William Ellis to bring you One LP, a new column focusing on musicians and the albums that proved influential and inspirational in their musical lives. William Ellis on One LP “Through my work I have spent a lot time talking with musicians—and of course the talk always ...
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