Results for "Under the Radar"
The Word from Johannesburg, Part II: Brenda Sisane and The Art of Sunday
Brenda Sisane has been in broadcasting in Johannesburg, South Africa for over twenty-five years while simultaneously heading up her International Relations and Creative Arts public relations firm. Ms. Sisane is also CEO of SPIN Productions and its Non-Profit sister organization, The SPIN Foundation NPC, which both serve the international and domestic arts and music and culture ...
All About Jazz Senior Contributor Karl Ackermann Publishes 'A Map of Jazz: Crossroads of Music and Human Rights'
A Map of Jazz is a history of jazz in parallel with world events. Jazz matured in the era of prohibition with organized crime as its patron. It was homogenized as swing music and found its true Black voice with Bebop and the Civil Rights movement. In spite of systemic racism in the United States, fascism ...
The Word from Johannesburg, Part I: Nduduzo Makhathini
In 1919, the Pasadena Evening Post said: “the friends of Mr. Whiteman have with much enthusiasm bestowed the title of “King of Jazz" upon him." While Paul Whiteman was heavily criticized for wearing the crown, it was not one that was self-attributed or with which he felt completely comfortable. But Whiteman was a brilliant marketer and ...
The Rebel Festival
On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...
Women in Jazz, Pt. 3: The International Women in Jazz Organization
In part 1 and part 2 of the Women in Jazz series, we looked at the historical marginalization of women in jazz from Lil Hardin Armstrong and Blanch Calloway in the 1920s to Tia Fuller in 2019. Part 2 focused on several prominent pioneering artists including the all-female International Sweethearts of Rhythm, Marian McPartland, and Melba ...
Jazz in the Time of Pandemic
The first week of April 2020: images crystalized the daily news reports; a dystopian Times Square; Piazza Navona in Rome, emptied of tourists, Barcelona's Basílica de la Sagrada Família standing like an abstract ruin, makeshift morgues in hospital parking lots. The jazz world is small but still a microcosm of society with interdependencies that run deep. ...
The Archive of Contemporary Music
In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...
Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II
Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...
Jazz Societies, Part I: The Skipp Pearson Jazz Legacy Foundation
Part 1 | Part 2 The oral history traditions of West African griots led the preservation and interpretation of music that would become the fundamentals of jazz. In previous Under the Radar columns we looked at institutions that further the cause of safeguarding the genre; university-level academic programs and jazz museums whose hands-on experiences, ...
The New Golden Age of Jazz Radio
There was the Jazz Age, and later, the Golden Age of Radio. There was no golden age of jazz radio unless one considers the brief, ten-year reign of devolution when swing music dominated the airwaves. Think about this: New York City has not had a twenty-four-hour commercial jazz radio station in over ten years; decades longer ...
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