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Darius Jones / Matthew Shipp: Cosmic Lieder
by Troy Collins
Cosmic Lieder documents the first recorded collaboration between rising alto saxophone star Darius Jones and venerable pianist Matthew Shipp. Veering between dark lyricism and roiling catharsis, the date offers an illuminating window into the creative discourse between two different generations of the avant-garde. Released concurrently with the expansive live double album, The Art of ...
Ambrose Akinmusire: When The Heart Emerges Glistening
by Troy Collins
A new generation of jazz musicians, unimpeded by the idiomatic constraints of tradition, has come of age since the end of the '80s-era culture wars. One such free-thinking artist is young trumpeter Ambrose Akinmusire, who was first discovered by saxophonist Steve Coleman at the tender age of 19. When The Heart Emerges Glistening is his first ...
Tim Berne: Insomnia
by Troy Collins
Recorded in the summer of 1997, the previously unreleased Insomnia offers an expanded variation of composer/saxophonist Tim Berne's critically lauded 1990s quartet, Bloodcount. The group, which featured Berne (on alto and baritone saxophones), tenor saxophonist/clarinetist Chris Speed, bassist Michael Formanek, and drummer Jim Black, was widely revered for its ability to fashion dramatic opuses that seamlessly ...
Anthony Braxton: Trio & Quintet (Town Hall) 1972
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by Troy Collins
Time has an ability to obscure certain details of the past. This notion is apparent when considering the multi-decade oeuvre of visionary composer Anthony Braxton, whose restructuralist Tri-Axium Theory is as unique as Ornette Coleman's Harmolodic Theory or Cecil Taylor's Unit Structures. Braxton's use of pulse structures and multiple logics has long encouraged a considerable amount ...
The Rempis Percussion Quartet: Montreal Parade
by Troy Collins
Since joining the Vandermark 5 in 1999, saxophonist Dave Rempis has maintained a high profile in the fertile Chicago scene. In addition to his role as a presenter and organizer of numerous music festivals, he can be heard as leader, co-leader and collaborator in more than a half dozen different projects in the Windy City, with ...
Honey Ear Trio: Steampunk Serenade
by Troy Collins
Building on an established legacy, Honey Ear Trio updates the time honored acoustic instrumentation of the classic saxophone trio with a subtle use of electronics on their debut Steampunk Serenade. Saxophonist Erik Lawrence, bassist Rene Hart and drummer Allison Miller draw upon their diverse experiences in an array of popular music forms (rock, soul, folk) to ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Troy Collins
Flashpoint: NDR Jazz Workshop--April '69 is a stunning discovery. Featuring unreleased material executed by a unique ten-piece line-up of European jazz luminaries, it provides a fascinating window into the development of British saxophonist John Surman at the very beginning of his career. Capturing an international all-star ensemble working through Surman's formative concepts, this informal studio session ...
Ernest Dawkins' New Horizons Ensemble: The Prairie Prophet
by Troy Collins
Since 1978, saxophonist Ernest Dawkins has led his flagship band, The New Horizons Ensemble, through myriad jazz traditions, from blues, swing and funk to post-bop, avant-garde and beyond. The Prairie Prophet, their fifth album on Delmark, is dedicated to one of Chicago's most venerated scene leaders, the late tenor saxophonist Fred Anderson, a founding member of ...
Nordic Connect: Spirals
by Troy Collins
Scandinavian jazz has enjoyed quite a renaissance over the past few decades, ranging from the cool Norwegian austerity of Jan Garbarek and Terje Rypdal's seminal 1970's recordings to the fiery Swedish expressionism of Magnus Broo and Mats Gustafsson's recent avant-garde excursions. Spirals, the sophomore effort of Nordic Connect, embraces both aesthetic dualities, serving as a pertinent ...
David Binney: Graylen Epicenter
by Troy Collins
Saxophonist, composer and producer David Binney, a progressive artist with one foot in the mainstream and the other in the avant-garde, has gracefully skirted the tenuous divide between traditions for over two decades. Regularly alternating between semi-casual blowing dates and far more ambitious projects, Binney follows up the relatively straight-ahead Aliso (Criss Cross, 2010) and lavish ...
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