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Bonjintan: Dental Kafka
by Mark Corroto
The sophomore effort by Akira Sakata's quartet Bonjintan, which translates into “ordinary person" might actually be better interpreted as “egalitarian." Notice that neither the quartet's name nor the album cover mention the saxophonist's name. Like the initial, self-titled 2017 release on Sakata's Daphnia Records, Dental Kafka focuses on a quartet sound and four equal musicians improvising. ...
Torben Snekkestad / Agusti Fernandez / Barry Guy: The Swiftest Traveler
by John Sharpe
A trio of exploratory and quick-witted improvisers unite for an exciting and stimulating outing on The Swiftest Traveler. Norwegian reedman Torben Snekkestad and Catalan pianist Agusti Fernandez are comrades of bassist Barry Guy in his The Blue Shroud Band and also the 2020 edition of the London Jazz Composers Orchestra. The three familiars forge an alchemical ...
At The Hill Of James Magee
Label: Trost Records
Released: 2019
Track listing: Sometimes Yes, Sometimes No; Mine Shaft; Paradise Overcast; A Forty Foot Square Room; Torcello; St. Ida’s Breath (Less
Her Head And Teeth).
I Surrender Dear
Label: Trost Records
Released: 2019
Track listing: I Surrender Dear; Lover Come Back To Me; Lady Sings The Blues; Con Alma; Nice Work If You Can Get
It; Dark Blues; Improvisation Über Ein Thema Von JS Bach; ChurchSong; Sumpin’; Brozziman;
Ballade/Love Poem Nr. 7/Blues; I Surrender Dear.
Fifty Years After...
By Peter Brötzmann / Alexander von Schlippenbach / Han Bennink
Label: Trost Records
Released: 2019
Track listing: Fifty Years After; Frictional Sounds; Bad Borrachos; Street Jive; Short Dog Of Sweet Lucy.
F4 Fake
Label: Trost Records
Released: 2019
Track listing: Aäton (For Orson Wells); Meccano Number 7 (for Julio Cortazar); Agora (For Zelia Barbosa).
Peter Brötzmann: I Surrender Dear
by Mark Corroto
You can forgive yourself if you get the feeling that you're a bit of a voyeur while listening to I Surrender Dear, the solo recording by saxophonist Peter Brötzmann. This sense of eavesdropping is due to the intimate sounds and the great man's choice of music. This intimacy is not something you generally associate with Brötzmann's ...
Made To Break: F4 Fake
by Mark Corroto
If you count their three download-only releases from 2016, F4 Fake by Ken Vandermark's Made To Break is the band's ninth release since forming in 2011. This is significant because like his quintet Vandermark 5, which existed from 1996 until 2010, this quartet and his ensemble Marker are the main drivers for the trailblazing composer. Not ...
Brötzmann / Schlippenbach / Bennink: Fifty Years After...
by Mark Corroto
To commemorate the fiftieth anniversary of the game changing recording Machine Gun (BRÖ, 1968), saxophonist Peter Brötzmann recruited drummer Han Bennink from the original session, plus pianist Alexander von Schlippenbach. While Schlippenbach wasn't in the house for Machine Gun (the pianist was Fred Van Hove), he can be heard on the Peter Brötzmann Group's fully automatic ...
Joe McPhee/John Butcher: At The Hill Of James Magee
by John Eyles
The roots of this album lie in two previous John Butcher recordings, his four solo pieces recorded in the resonant Oya Stone Museum, Utsunomiya City, Japan, in November 2002, which featured on Cavern With Nightlife (Weight of Wax, 2004), and Resonant Spaces (Confront, 2008) which documented a 2006 tour he made of various resonant sites--including a ...
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