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The Swiftest Traveler

Label: Trost Records
Released: 2020
Track listing: Both Directions; The Swiftest Traveler; Sway; InSitu; Slip, Slide & Rattle; Dwells; Interlude.

ARTICLE: ALBUM REVIEW

Torben Snekkestad / Agusti Fernandez / Barry Guy: The Swiftest Traveler

Read "The Swiftest Traveler" reviewed by John Sharpe

A trio of exploratory and quick-witted improvisers unite for an exciting and stimulating outing on The Swiftest Traveler. Norwegian reedman Torben Snekkestad and Catalan pianist Agusti Fernandez are comrades of bassist Barry Guy in his The Blue Shroud Band and also the 2020 edition of the London Jazz Composers Orchestra. The three familiars forge an alchemical ...

F4 Fake

Label: Trost Records
Released: 2019
Track listing: Aäton (For Orson Wells); Meccano Number 7 (for Julio Cortazar); Agora (For Zelia Barbosa).

Fifty Years After...

Label: Trost Records
Released: 2019
Track listing: Fifty Years After; Frictional Sounds; Bad Borrachos; Street Jive; Short Dog Of Sweet Lucy.

At The Hill Of James Magee

Label: Trost Records
Released: 2019
Track listing: Sometimes Yes, Sometimes No; Mine Shaft; Paradise Overcast; A Forty Foot Square Room; Torcello; St. Ida’s Breath (Less Her Head And Teeth).

I Surrender Dear

Label: Trost Records
Released: 2019
Track listing: I Surrender Dear; Lover Come Back To Me; Lady Sings The Blues; Con Alma; Nice Work If You Can Get It; Dark Blues; Improvisation Über Ein Thema Von JS Bach; ChurchSong; Sumpin’; Brozziman; Ballade/Love Poem Nr. 7/Blues; I Surrender Dear.

ARTICLE: ALBUM REVIEW

Peter Brötzmann: I Surrender Dear

Read "I Surrender Dear" reviewed by Mark Corroto

You can forgive yourself if you get the feeling that you're a bit of a voyeur while listening to I Surrender Dear, the solo recording by saxophonist Peter Brötzmann. This sense of eavesdropping is due to the intimate sounds and the great man's choice of music. This intimacy is not something you generally associate with Brötzmann's ...

ARTICLE: ALBUM REVIEW

Made To Break: F4 Fake

Read "F4 Fake" reviewed by Mark Corroto

If you count their three download-only releases from 2016, F4 Fake by Ken Vandermark's Made To Break is the band's ninth release since forming in 2011. This is significant because like his quintet Vandermark 5, which existed from 1996 until 2010, this quartet and his ensemble Marker are the main drivers for the trailblazing composer. Not ...

ARTICLE: ALBUM REVIEW

Brötzmann / Schlippenbach / Bennink: Fifty Years After...

Read "Fifty Years After..." reviewed by Mark Corroto

To commemorate the fiftieth anniversary of the game changing recording Machine Gun (BRÖ, 1968), saxophonist Peter Brötzmann recruited drummer Han Bennink from the original session, plus pianist Alexander von Schlippenbach. While Schlippenbach wasn't in the house for Machine Gun (the pianist was Fred Van Hove), he can be heard on the Peter Brötzmann Group's fully automatic ...

ARTICLE: ALBUM REVIEW

Joe McPhee/John Butcher: At The Hill Of James Magee

Read "At The Hill Of James Magee" reviewed by John Eyles

The roots of this album lie in two previous John Butcher recordings, his four solo pieces recorded in the resonant Oya Stone Museum, Utsunomiya City, Japan, in November 2002, which featured on Cavern With Nightlife (Weight of Wax, 2004), and Resonant Spaces (Confront, 2008) which documented a 2006 tour he made of various resonant sites--including a ...


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