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About Eddie Bert
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Eddie Bert
Born:
Trombonist Eddie Bert's career spans nearly seven decades of Jazz, from big bands to bebop and beyond. In addition to being a Jazz musician who's played with one and all, he's been a regular in Broadway show bands, and a first call studio player. Yet no matter what the musical setting, Eddie has always played his uniquely personal, warm and melodic style of Jazz. When renowned Jazz leaders needed a dependable, original trombonist for a significant recording or event in the second half of the twentieth century, they turned to Eddie Bert. In fact, his resume reads like a Who's Who of modern Jazz, including musical relationships with Thelonious Monk, Charles Mingus, Coleman Hawkins, Woody Herman, Stan Kenton, Machito, Tito Puente, Benny Goodman, Thad Jones and Mel Lewis. There's a reason Eddie Bert has played with the Jazz masters—he's a truly gifted musician, a trombonist who has easily traversed eras and genres, from bop to swing, Mingus to Hampton, and Kenton to Herman
About Jack Teagarden
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Jack Teagarden
Born:
Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1920’s territory and New York jazz scenes to shortly before his death in 1964. Teagarden was not a successful band leader, which may explain why he is not as widely known as some other jazz trombonists, but his unusual singing style influenced several other important jazz singers, and he is widely regarded as the one of the greatest, and possibly the greatest, trombonist in the history of jazz. Teagarden was born in 1905 in Vernon, Texas. Born Weldon Lee Teagarden or Weldon John Teagarden (more sources say Weldon Lee, but John makes more sense considering his nickname), Jack’s earliest performances were working with his mother Helen, who played ragtime piano, in theaters
About Paul Rutherford
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Paul Rutherford
Born:
Born Greenwich, London, 29 February 1940, trombone, euphonium, piano. A stalwart of the early UK free scene who has played in, and contributed positively to, just about every available possibility, in more structured musics as well as obvious free situations: Globe Unity Orchestra, London Jazz Composer's Orchestra, Mike Westbrook Orchestra,and what appears to be a myriad of small groups, e.g.: Iskra 1903, duo with Paul Lovens, Quintet Moderne, and, recently, in trio with Anthony Braxton and Evan Parker. Perhaps most famous for solo trombone improvisations, and while many would dispute the fact that The Gentle harm of the bourgeoisie is the best solo trombone recording, it can't be far from the truth
About Roswell Rudd
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Roswell Rudd
Born:
Roswell Rudd (born Roswell Hopkins Rudd, Jr. in Sharon, Connecticut, on November 17, 1935) was an American jazz trombonist. Although skilled in all styles of jazz (including dixieland, which he performed while in college), he is known primarily for his work in free and avant-garde jazz. Since 1962 Rudd worked extensively with Archie Shepp, a close friend. Rudd participated in key free jazz recordings, notably with the New York Art Quartet, on the soundtrack recording for Michael Snow's 1964 film New York Eye and Ear Control, and Michael Mantler & Carla Bley's 1968 "Jazz Composer's OrchestrA- Communications" featuring Cecil Taylor, Don Cherry, Pharoah Sanders, Larry Coryell and Gato Barbieri
About Frank Rosolino
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Frank Rosolino
Born:
Frank Rosolino will be remembered and respected throughout the contemporary jazz world for his mastery of the trombone, his uncanny ability to fit and work successfully with a wide range of musical ideas, and perhaps last but not entirely forgotten, his wit and capacity for comic entertainment. There has seldom been a time when any single aspect of this amazingly complex individual was submerged for any great length of time. He was always the superb performer, upfront individually as a musician or commercially as an entertainer. Frank Rosolino was born in Detroit on August 20, 1926 and began taking trombone lessons in the eighth grade or about the time he was 14 years of age
About Dave Bargeron
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Dave Bargeron
Born:
Dave Bargeron is a versatile low-brass jazz artist hailing from Athol, Massachusetts, USA. He won his first lead trombone job playing with Clark Terry's Big Band and from 1968-1970 played Bass Trombone and Tuba with Doc Severinsen's Band. In 1970, he joined "Blood, Sweat and Tears." Dave's recording and concert schedule worldwide with BS&T includes eleven albums. A break in their schedule allowed Dave to join the Gil Evans Orchestra in 1972 and he remains a member of that Orchestra currently led by Gil's son, Miles Evans. After leaving Blood, Sweat & Tears, Dave became both a sought-after recording musician in New York City and a well-known jazz artist
About Chris Barber
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Chris Barber
Born:
Accolades for an English musician don't come more exotic than a description of Chris Barber as the "Bix Beiderbecke of British- style jazz"— this, from the pen of musicologist David Boulton back in 1958. Not that this kind of plaudit about Barber is confined to the past, nor to the jazz world. Blues-Rock Explosion published in 2001 states that, "Chris Barber, Alexis Korner, Lonnie Donegan and Cyril Davies were the real founding fathers of what became the British 1960s blues-rock explosion." Both of these quotes expose an obscured truth about Barber and his Jazz and Blues Band: namely, that without the man who celebrates nearly seven decades as a pro band leader, not only would British trad jazz have taken many more years to evolve – but also the British blues and rock scene would not have exploded in the way that it did
About Ray Anderson
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Ray Anderson
Born:
"If I ever had a home, it was the slide trombone" says Ray Anderson. Although the perennial poll- winner (6 times in Down Beat's Critics Poll!) is indeed at home with the "slip-horn", his unique music is now being heard all over the world. Anderson's innovative and influential style is technically awesome but straight from the heart. He shatters musical categories but remains personal, emotional and accessible. He is often humorous but never predictable. He has given the trombone a whole new sound and also developed a trombone-like way of singing. Born in Chicago in 1952, Ray Anderson started playing trombone when he was eight
About Clifton Anderson
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Clifton Anderson
Born:
Clifton Anderson was born on October 5, 1957 in Harlem, New York City. He grew up surrounded by music. His father was a church organist /choir director, and his mother a singer and pianist. It was no surprise that Clifton exhibited an affinity for music at an early age. When he was just seven years old he got his first trombone, a gift from his uncle Sonny Rollins.
Clifton attended the prestigious Fiorello LaGuardia High School of Music and Art. In 1974 he spent one year at The State University of New York at Stony Brook studying under Simon Karasick and Dave Schechter. He continued his education at the Manhattan School of Music, and graduated in 1978 with a Bachelor of Music degree
About Bill Allred
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Bill Allred
Born:
It all started in New Orleans, Bill's grandmother was born near New Orleans in the town of Franklin. His Father, John, was a jazz pianist and banjoist on many of the steamboats of the great "Strickfus Line" playing in and around New Orleans as well as up and down the Mississippi and Ohio rivers. Bill Allred was also born near the Mississippi River in the town of Rock Island. He played trombone at Rock Island High School, in the U.S.Navy Band and at St. Ambrose College. In 1971, Bill auditioned for the position of staff musician at the new Walt Disney World attraction in Orlando, Florida. He was chosen as one of the original 200 staff musicians from over 2500 auditioned. In 1974, Bill's next stop was at Rosie O'Grady's in Orlando, Florida where he organized the Goodtime Jazz Band and produced the world-famous Goodtime Show
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