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Jon Irabagon's Outright!: Recharge the Blade
by Mark Corroto
As with nearly all of saxophonist Jon Irabagon's music, the matter for debate is whether the listener needs to be as caffeinated as the musician. His brand of performance, going back two decades, has been one of constant motion and a bottomless cup of ideas. We heard this in Irabagon's contribution to the band Mostly Other People Do The Killing, his I Don't Hear Nothin' but the Blues series, and his collaboration with Joe Fonda in Barry Altschul's 3Dom Factor. ...
read moreChristy Doran: in The Corner Of The Eye
by Ian Patterson
For forty years, Irish-born, Lucerne-based guitarist Christy Doran has recorded prolifically for numerous labels. Inevitably perhaps, many of his earlier works are out of print, so it's cause for celebration that this release brings together the very best of Phoenix (hat Art, 1990) and What a Band (hat Art, 1992), two long-neglected yet essential Doran recordings. The majority of Doran's releases have been with bands, from the seventies jazz-rock/free jazz group OM to New Bag, his main working ...
read moreRay Anderson Pocket Brass Band: Come In
by Vic Albani
Con tutto il rispetto per il quartetto di musicisti titolare di questa incisione, questo disco potrebbe essere velocemente destinato alla casella “bello anche se non fondamentale." Ma c'è una storia da raccontare che forse rende giustizia alla “necessità" di volerlo pubblicare e dargli un valore comunque non indifferente. L'11 marzo 2020 è una data certamente particolare. I telefoni di Ray Anderson, Steven Bernstein, Jose Davila e Tommy Campbell (arrivati da poco a Cottbus, borgata ad un tiro di ...
read moreIvo Perelman: Molten Gold
by Hrayr Attarian
Saxophonist Ivo Perelman is a restless innovator, and his recorded output is as inventive as it is prolific. On the exhilarating Molten Gold he explores a new sonic texture by playing with the equally idiosyncratic trombonist Ray Anderson. In addition to Anderson, the quartet includes another Chicago native, drummer Reggie Nicholson who developed his unique sound with the Association for the Advancement of Creative Musicians (AACM). Frequent Perelman collaborator, guitarist Joe Morris, here playing double bass, completes the ensemble. The ...
read moreIvo Perelman: Molten Gold
by Mike Jurkovic
A tactile, umbilical cord tension binds you to the slithery movements advanced on Molten Gold, the umpteenth in a slew of hard-core free jazz releases, one of them being the twelve disc set Reed Rapture In Brooklyn (Mahakala, 2022), from the generative mind and horn of saxophonist Ivo Perelman. Recorded at ParkWest Studio by Jim Clouse, Perelman, in full form and fever, assembles fellow rogues trombonist Ray Anderson, bassist Joe Morris and drummer Reggie Nicholson for over eighty minutes of ...
read moreIvo Perelman / Ray Anderson / Joe Morris / Reggie Nicholson: Molten Gold
by Chris May
Lovingly described by one critic as “a leather-lunged monster," reviews of saxophonist Ivo Perelman's albums typically attract words such as honking, squawking, squealing and apocalyptic. Perelman is not interested in the current vogue for creating safe spaces. He is not the sort of free-improv player one would, in the normal course of things, recommend to AAJers wanting to dip a neophyte toe in the genre. But Molten Gold is recommended. And not just to newbies, but to ...
read moreThe Boyé Multi-National Crusade For Harmony
by Stefano Merighi
Che trionfo per Julius Hemphill! A dispetto delle poche pagine--o righe--che le recenti storie del jazz dedicano al maestro di Fort Worth, Hemphill emerge da questo cofanetto di inediti come sassofonista-improvvisatore-compositore tra i più profondi della musica afroamericana nei decenni compresi tra gli anni '70 e '90. E questa preziosa edizione non solo torna a far luce su repertori e organici già conosciuti dai cultori, ma porta in superficie una gran mole di musica fresca, sorprendente, che ...
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