Jazz Articles about Nate Mayland

About Nate Mayland

Album Review

Jennifer Wharton's Bonegasm: Grit & Grace

Read "Grit & Grace" reviewed by Jack Bowers

by Jack Bowers
November 5, 2023

Asked to name the traits women most need to succeed in today's business world, Forbes magazine in a 2019 article underlined two of them as “grit and grace." One woman who took the advice to heart is bass trombonist Jennifer Wharton. She came late to jazz but has since made it her domain of choice, founding the trombone-centric septet Bonegasm and recording three albums under its name, the most recent of which, Grit & Grace, endorses Forbes' position by using ...

Album Review

Jennifer Wharton's Bonegasm: Grit & Grace

Read "Grit & Grace" reviewed by Dan Bilawsky

by Dan Bilawsky
November 2, 2023

Blessed be the 'bone of invention and intention that is Jennifer Wharton. A mere six years ago, the noted bass trombonist had the idea to form a slide-centric septet and commission new music to bring her oft-neglected and ballasting instrument to the fore. Driven to act on that concept, Wharton thought things through, put a plan in motion and willed Bonegasm into existence. That aptly-titled band recorded its eponymous debut in 2018, released that revelation of a record in 2019, ...

Liner Notes

Jennifer Wharton: Not a Novelty

by Dan Bilawsky
March 3, 2023

The eponymous debut from Jennifer Wharton's Bonegasm broke the mold. There are no two ways about it. And while some may look at a statement like that and cry hyperbole, history begs to differ. With rare exception, the bass trombone—a horn forever typecast as an anchor—has been marginalized. So the idea of an ensemble featuring that denizen of the depths—a band playing music specifically commissioned to hinge on it, highlight it, and showcase the playing of one of its foremost ...

Album Review

Jennifer Wharton's Bonegasm: Not A Novelty

Read "Not A Novelty" reviewed by Dan McClenaghan

by Dan McClenaghan
May 25, 2021

The trombone came into its own as a lead and solo instrument in jazz on the shoulders of J.J. Johnson, in the early days of bebop. His Four Trombones: The Debut Recordings (Prestige, 1953) celebrated the big brass instrument with three fellow 'bone men--Kai Winding, Bennie Green and Willie Davis, all joining Johnson in a four man front line. Now Jennifer Wharton presents a four trombone summit of her own with Not A Novelty, the second outing of her group ...

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Album Review

Shawn Maxwell Quartet: Maxwell's House

Read "Maxwell's House" reviewed by Matthew Warnock

by Matthew Warnock
January 26, 2010

Maxwell's House is a hard-swinging, deep in the pocket release by Chicago- based alto saxophonist Shawn Maxwell. The maturity displayed by all four musicians on the album is both refreshing and exciting. Instead of building energy and interest with long-streams of notes, Maxwell and pianist Matt Nelson favor shorter lines, longer-held notes and a strong focus on tone to draw in their audience. There is a solid sense of groove and swing across the quartet and the laid-back nature of ...