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Yo Miles! Revisited: Lightning and Shinjuku
by John Kelman
Amongst the plethora of tributes to trumpet icon Miles Davis' electric period on Columbia, beginning with 1969's In a Silent Way and ending with 1975's Agharta and Pangaea, only a few stand out as being truly reverential--not just to the electrified energy and jungle funk of the music, but to its undeniably avant leanings as well. ...
Mark Isaacs Resurgence Band: Aurora
by C. Michael Bailey
The last artistic musical movement in jazz to be given a meaningful name was the post-bop movement. Arising out of the mid-1960s as a unifying response to hard bop, modal, the avant-garde and free jazz, post-bop has fairly well dominated the most creative jazz made in the last 30 years. If post-bop has a ground zero, ...
Luciano Troja: At Home with Zindars
by Ian Patterson
Italian pianist Luciano Troja--like saxophonist Cannonball Adderley, drummers Philly Joe Jones and Tony Williams, accordionist Dino Saluzzi, guitarists Larry Coryell and Emily Remler,and trumpeter Donald Byrd before him--discovered the beauty of pianist/composer Earl Zindars' music via the numerous interpretations of pianist Bill Evans. Enchanted by Zindars' compositions, Troja embarked on a five-year odyssey to meet the ...
Take Five With Tyson Ailshie
by AAJ Staff
Meet Tyson Ailshie: Tyson Ailshie hails from Denver, Colorado, where he writes and performs straight-ahead jazz music in trio and duo settings as a group leader. Combining original compositions with deep grooves and intimate settings of eclectic jazz standards, he is beginning to make a name for himself in the Denver area, having performed most recently ...
Joan Jeanrenaud: The Beat of the Moment
by Anil Prasad
Playing it safe is a concept in which cellist Joan Jeanrenaud has total disinterest. Her deep, varied career reflects a restless creative spirit that most recently manifested itself on Pop-Pop (Deconet, 2010), her duo album with producer and percussionist PC Muñoz. The disc seamlessly blends cello, classical, electronica, and hip-hop influences. But, perhaps, the most important ...
Mark Isaacs: Aurora
by John Kelman
As Tell It Like It Is (ABC Jazz, 2009), amply proved, sometimes it's better to work with local musicians who, through regular touring, establish a singular collective voice. That's not to say Resurgence (ABC Jazz, 2007) was bad--it's hard to imagine anything with bassist Jay Anderson, drummer Vinnie Colaiuta and saxophonist Bob Sheppard as lacking in ...
douBt: Never Pet a Burning Dog
by Mark Redlefsen
Guitarist Michel Deville, of the Belgian Wrong Object, and British keyboardist Alex Maguire team up to form a power trio with drummer Tony Bianco as doubt, on its debut, Never Pet a Burning Dog. Deville steps out with a louder, more direct tone, affectionately and more overtly exposing the influence of Terje Rypdal--even including one of ...
Take Five With Mike DiRubbo
by AAJ Staff
Meet Mike DiRubbo:Born on July 25, 1970 in New Haven, Connecticut, Mike DiRubbo began his musical life as a junior high school clarinetist, and switched to alto saxophone at 12. A primarily self-taught saxophonist, he developed into a talented instrumentalist drawn inexorably to the notion of improvising. At a high school band concert, Mike ...
Charles Fambrough: A Friend Unlike Any Other, R.I.P.
by Mark Kramer
For my dear friend Charles, my second Brother: Bassist Charles Fambrough, born in Philadelphia on August 25th, 1950 and known as “Broski," died on January 1st, 2011 at 5:00 p.m. with his daughter and wife at his side. Reportedly, he ever-so-gently squeezed their hands as he held them, and smiled. Then he was gone. ...
Footprints: When You Dream
by Ian Patterson
Footprints is a New York-based five-piece, formed in 2008 by trumpeter Christoph Siegrist and saxophonist Joshua Kwassman. Together they set out with the intention of exploring the music of trumpeter Miles Davis' second great quintet, which blazed such a glorious path from '64 until the end of that decade. Repertory has since been largely replaced by ...
