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What Next After Kind of Blue?
by Steve Cook
For those dipping a first toe into jazz, the Miles Davis classic Kind of Blue (Columbia, 1959) is a common initial purchase or listen for many plausible reasons. Web searches for “best jazz albums of all time," or the like, bring up numerous lists that put it at the top and on newcomers' radars. Prominent placement ...
Jean-Luc Ponty: Imaginary Voyages, Part 2
by Peter Rubie
Part 1 | Part 2American violinist Stuff Smith once said about the young, classically trained and self taught jazz violinist Jean-Luc Ponty, “He plays violin like Coltrane plays saxophone." Born in 1942, Ponty has almost single-handedly taken jazz violin from the swing era into modern jazz, and beyond. At rock musician Frank Zappa's urging, ...
Jazz Hybrids by Brad Mehldau, Frank Zappa and Others
by Jerome Wilson
This program looks at jazz mixed with rock in various ways, whether it's called jazz-rock, fusion, prog rock, jazz-funk, trip-hop or something else. The artists heard on the show include Brad Mehldau, Donald Fagen, Frank Zappa, Joe Zawinul and the Keef Hartley Band. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" ...
Brian Auger: To Oblivion and Beyond
by Maurizio Comandini
Brian Auger is recognized as one of the most charismatic organists on the planet. For six decades he has stayed current through projects that were in sync with, and often ahead of, the times, thanks to a firm vision and well-chosen artistic partnerships. Through a career that has seen him play with the likes of Tony ...
Tony Williams: Life Time & Spring Revisited
by Maurizio Comandini
Tony Williams è uno dei più importanti batteristi della storia. Non solo del jazz, ma della musica in generale. Solitamente questa considerazione, ampiamente condivisa, fa riferimento alla sua lunga esperienza come batterista dei quintetti di Miles Davis della seconda metà degli anni sessanta ed eventualmente al suo ruolo di leader del gruppo Tony Williams Lifetime nato ...
Emma Rawicz: Incantation
by Chris May
Incantation is the debut album from British tenor saxophonist Emma Rawicz, whose playing has a degree of poise that is not often found in a teenager (she is nineteen years old) on their inaugural outing. It is not unprecedented, however, as we are reminded by the case of drummer Tony Williams, seventeen years old and brimming ...
John McLaughlin: Where Fortune Smiles
by Maurizio Comandini
L'invito che Tony Williams fece a John McLaughlin, chiamandolo a New York per far partire l'intensa avventura musicale denominata 'Tony Williams Lifetime,' arrivò proprio quando lo stesso McLaughlin aveva magicamente trovato un suo punto di equilibro. Dopo aver lasciato intravedere interessanti bagliori nell'eccellente disco Things We Like di Jack Bruce (registrato a Londra a fine agosto ...
Bill Frisell: Never Ending Revelations
by Ian Patterson
Touchstone Albums Picks is a new column from All About Jazz that invites artists to talk about the albums that have moved and inspired them and perhaps in some way informed their own music. In celebration of the publication of Bill Frisell, Beautiful Dreamer (Faber & Faber, 2022), Irish journalist Philip Watson's definitive biography of the ...
Miles Davis & Don Cherry: Which One Is The Grifter?
by Chris May
The Swiss-based ezz-thetics label's Revisited strand of reissues is a jazz connoisseur's dream. The label identifies outstanding albums of the 1960s, sets one of its gifted audio engineers to mastering them and makes them newly available. Earlier editions of many of these albums are hard to find and the sound on all of them is substantially ...
Pepper Adams: Live at Room at the Top
by Mike Jurkovic
Recorded live in Alberta, Canada, in late September, 1972, Live at Room at the Top hits a top spot. Brought to light by intrepid saxophonist Cory Weeds and his archival Reel to Reel label (part of his Cellar Music Group) Pepper powers his way to the front of the bandstand poised, muscular and insistent with a ...
