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MUSICIAN Born:

Tony Scott

Tony Scott, a distinguished jazz clarinetist who in the 1950s helped steer his instrument out of the swing era and into the sax-infested waters of bebop. With Buddy DeFranco, Mr. Scott was considered one of the leading bebop clarinetists. (The two men were often described as the only major clarinetists to take on bebop, a style thought to be incompatible with the instrument’s soft, sweet sound.) Mr. Scott, who also played the saxophone, performed and recorded with some of the titans of mid-20th- century jazz, among them Duke Ellington, Ben Webster, Sarah Vaughan and Billie Holiday. If Mr. Scott was not widely known to the American public, it was partly because his eclectic style made him unclassifiable: over the years, he ranged through bebop and what today would be called New Age and world music

ARTICLE: INTERVIEW

A dialogo con Emanuele Parrini

Read "A dialogo con Emanuele Parrini" reviewed by Neri Pollastri

Emanuele Parrini è il più significativo interprete (non solo) nostrano del violino jazz. Membro storico del Dinamitri Jazz Folklore, già violinista dell'Italian Instabile Orchestra, collaboratore di molte formazioni (Nexus, l'orchestra di Dino Betti van der Noot, il quartetto di Cene Resnik), leader di un proprio quartetto con il quale ha realizzato nel 2016 l'eccellente The Blessed ...

ARTICLE: ALBUM REVIEW

Gaetano Partipilo: Boom Collective - Live Somewhere

Read "Boom Collective - Live Somewhere" reviewed by Chris M. Slawecki

Italian saxophonist Gaetano Partipilo has been playing and studying music since he was eight. After conservatory studies, Partipilo was engaged to perform by the likes of Mark Murphy, Enrico Rava and Tony Scott. Having spent several months in New York City, Partipilo returned to Italy where he formed the Urban Society project, with whom he recorded ...

Places in Space, in Time

Read "Places in Space, in Time" reviewed by Chris M. Slawecki

Abraham Inc. Together We Stand Table Pounding Music 2019 “Ever since I formed Klezmer Madness! in the mid 1990's I've been exploring the possibilities of adding funk, jazz, and lately hip-hop influences to klezmer," explains David Krakauer, an expert clarinet voice in jazz, klezmer and classical ...

ARTICLE: INTERVIEW

Eddie Daniels: 'Sings' Ivan Lins

Read "Eddie Daniels: 'Sings' Ivan Lins" reviewed by R.J. DeLuke

Eddie Daniels, one of the finest of clarinetists during his decades in jazz, is still an active, curious, exploring musician. He welcomes new things. His latest album, Night Kisses: A Tribute to Ivan Lins (Resonance Records), set to be released at the end of July, represents something new for him. Music is an art ...

NEWS: BIRTHDAY

Jazz Musician of the Day: Tony Scott

Jazz Musician of the Day: Tony Scott

All About Jazz is celebrating Tony Scott's birthday today! Tony Scott, a distinguished jazz clarinetist who in the 1950s helped steer his instrument out of the swing era and into the sax-infested waters of bebop. With Buddy DeFranco, Mr. Scott was considered one of the leading bebop clarinetists. (The two men were often described as the ...

ARTICLE: LIVE REVIEW

Jazz&Wine of Peace 2019

Read "Jazz&Wine of Peace 2019" reviewed by Neri Pollastri

Jazz & Wine of Peace Festival Teatro Comunale di Cormòns e varie sedi nel Collio e in Slovenia 23-27.10.2017 La ventiduesima edizione del festival Jazz&Wine of Peace di Cormòns si è svolta dal 23 al 27 Ottobre, con la medesima, fortunata formula degli scorsi anni: un concerto serale al Teatro Comunale ...

NEWS: BIRTHDAY

Jazz Musician of the Day: Tony Scott

Jazz Musician of the Day: Tony Scott

All About Jazz is celebrating Tony Scott's birthday today! Tony Scott, a distinguished jazz clarinetist who in the 1950s helped steer his instrument out of the swing era and into the sax-infested waters of bebop. With Buddy DeFranco, Mr. Scott was considered one of the leading bebop clarinetists. (The two men were often described as the ...

ARTICLE: ALBUM REVIEW

Martin Fabricius Trio: Under The Same Sky

Read "Under The Same Sky" reviewed by Chris May

The vibraphone has come a long way—technically and aesthetically—since Lionel Hampton used it in a short, improvised introduction to Louis Armstrong's “Confessin,'" recorded with Les Hite's band in 1930. Back then, it was regarded primarily as a percussion instrument, and it is still categorized as tuned-percussion in the classical music world. Hampton was the first musician ...

ARTICLE: RADIO

Kneebody's Perfect

Read "Kneebody's Perfect" reviewed by Ludovico Granvassu

In less than two decades Kneebody has established itself as reference band of forward-looking musicians. With a brand new EP out, By Fire, their first release entirely dedicated to covers, a new outlet (the British musician-run reference label Edition Records), and new line-up following the departure of bassist Kaveh Rastegar, there's a been a lot going ...


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