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James Clay: Texas Tenor, Second Generation
by David Perrine
The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
Art Pepper: Unreleased Art Vol. VIII - Live At The Winery, September 6, 1976
by C. Michael Bailey
Laurie Pepper, widow of alto saxophonist Art Pepper, has been shepherding the artist's discography since the turn of the millenia. Unreleased Art Vol. VIII: Live At The Winery, September 6, 1976 reveals there may be no end in sight for unreleased material from this important jazz musician. Ms. Pepper has done a couple of things different ...
George Cables: The Pianist’s Dedication to the Group
by Victor L. Schermer
Anyone who is serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists. Everyone, that is, except George Cables. Exceptional in every way, he is yet a team player. He sees himself as part of the rhythm section, and has always emphasized the group over the soloist. He ...
Blue Whale Residency Part I: Anthony Wilson Trio, LA Jazz Quartet, Otto / Ferber / Wilson / Ferber / Nelson / Dumas
LAJC Residency, Part I Wednesday, January 4, 8pm Blue Whale, Los Angeles, CA In the music-art world there are a number of ways to program events. Two of the most common are festivals and residencies. Festivals essentially allow a promoter to present a diversity of bands and artists over a concentrated amount ...
Art Pepper: Blues for the Fisherman
by C. Michael Bailey
Art PepperBlues for the FishermanWidow's Taste2011 Laurie Pepper has been the lightning rod for the music of her late husband, Art Pepper, since the saxophonist's death at 56 in 1982. She took proper control of his musical legacy in 1981 on the advice of the couple's accountant, ...
Cynthia Felton: Come Sunday: The Music of Duke Ellington
by C. Michael Bailey
Dr. Cynthia Felton made quite the splash with her self-produced debut, Afro Blue: The Music of Oscar Brown, Jr. (2009). In the spirit of well-assembled theme recordings like Karrin Allyson's Ballads: Remembering John Coltrane (Concord, 2001) and Todd Bishop's Pop Art 4 disc, 69 Annee Erotique, Afro Blue is a solid look at a master's craft ...
Salute to Stan Kenton: Artistry in Contrast
by Jack Bowers
Artistry in Rhythm, the Ken Poston / Los Angeles Jazz Institute's 2009 homage to the renowned bandleader Stan Kenton, was held October 8-11 at the Sheraton LAX Four Points Hotel. As always, there was much to see, hear and admire: films, panel discussions, special presentations and, last but not least, no fewer than nineteen concerts by ...
Chico Freeman, Air, Walt Dickerson, George Cables: Buried Treasures Now On CD
by Chris May
Not to be confused with the Swedish trance and electronica label of the same name, the original Why Not label was an adventurous affair run by the Japanese businessman and jazz fan Masahiko Yuh for a brief but productive spell in the 1970s. With few contacts, but armed with an outstanding pair of ears, a cheque ...
Mark Sherman at the Crowne Plaza Hotel, Los Angeles
by Jim Santella
Mark Sherman Jazz Brasserie at the Crowne Plaza Hotel Los Angeles, CA January 29, 2009 The Jazz Brasserie at LA's Crowne Plaza Hotel is perfect for jazz, with its informal seating and focused performance platform. Situated not far from LAX, it's convenient for both Los Angelenos and longer haul ...
