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Tony Bennett / Bill Evans: The Complete Tony Bennett/Bill Evans Recordings
by Chris May
In the mid-1970s, when singer Tony Bennett got together with pianist Bill Evans to record The Tony Bennett/Bill Evans Album (Concord, 1975) and Together Again (Concord, 1976), Bennett was considered terminally uncool by most jazz fans under 30, and rock fans of any age. Despite a few earlier outings in jazz contexts, including an album recorded ...
One of the Boys in the Band: Discovering my Dad
by George Gozzard
George Gozzard was the baby of a pretty large family the jazz trumpeter Harry Roy Gozzard raised. Harry was one of those great working musicians we heard about in the 1930s and through the 1950s who played jazz and dance band gigs interchangeably. These were the days of months long (if not longer) engagements musicians would ...
Bill Evans and Tony Bennett on TV
By October 1976, Bill Evans and Tony Bennett had recorded two albums of duets for Tony's short-lived Improv label. I've always had mixed feelings about the recordings. For me, it's strange to hear Evans as second fiddle to anyone and even stranger to hear Tony having to defer, musically, to his accompanist. But strangest of all, ...
The Harry Allen Orchestra: With Roses
by Pierre Giroux
Harry Allen is a tenor saxophonist's tenor saxophonist with an elegant tone and swinging style in the manner of Scott Hamilton, Lester Young or Ben Webster. He has a well-rounded discography of over 70 releases as a leader and many others as a sideman. Over the course of his prolific career, Allen has appeared with the ...
Matt Barber: The Song Is You
by Jack Bowers
Matt Barber is a pretty good singer: pleasant voice, decent range, fair sense of swing, healthy respect for a lyric. On his seventh album, The Song Is You, Barber has chosen to revisit a number of evergreens from the Great American Songbook and placed himself in a variety of musical settings designed to enhance the experience. ...
Martin Wind, Peter Weniger, Jonas Burgwinkel: Gravity
by Mark Corroto
There is a return to old-school fundamentals about the trio recording Gravity from bassist Martin Wind. The German-born, now New Jersey native reconnects with tenor saxophonist Peter Weniger whom he met in the German National Youth Orchestra more than three decades ago. The old friends invited fellow countryman and drummer Jonas Burgwinkel (of Pablo Held Trio) ...
José James: Why The Female Of The Species Is Groovier Than The Male
by Peter Jones
Jazz singer José James considers Erykah Badu to be the Joni Mitchell of his generation, a woman who has constructed a world of her own in order to tell her own alternative story. To prove the point, earlier this year he released On & On (Rainbow Blonde), a whole album of Badu songs, which he has ...
Jam Session: How Armenian Jazz Improvised Its Way Onto The World Stage
by Michael Sarian
Note: Originally published in the December 2021 issue of AGBU Magazine. At the turn of the 20th century, world events began to mark a major shift in the cultural and socio-political landscape that would reverberate across the globe for the next hundred years. During this period, as the drum beat of existential ...
A Fireside Chat With Wayne Shorter
by AAJ Staff
This article was first published at All About Jazz in October 2002. I have done my fair share of Firesides (500 or so last census). I have favorites. Certainly, the first Sonny Rollins was memorable. Cecil Taylor, Charles Lloyd, Joe Chambers, and Lester Bowie were provocative. Willie Nelson was high (allegedly) and Tony Bennett ...
Aubrey Johnson & Randy Ingram: Play Favorites
by Jerome Wilson
At its best, the pairing of piano and voice can create special chemistry, as in the cases of Ran Blake and Dominique Eade or Bill Evans and Tony Bennett. The combination of Randy Ingram's piano and Aubrey Johnson's voice is in the same class on this album. The two musicians exude a sense of familiarity and ...
