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8

Article: Book Review

Man Of The Light: The Life And Work Of Zbigniew Seifert

Read "Man Of The Light: The Life And Work Of Zbigniew Seifert" reviewed by Ian Patterson


Man Of The Light: The Life And Work Of Zbigniew Seifert Aneta Norek-Skrycka 172 Pages ISBN: 978-83-938054-2-6 The Zbigniew Seifert Foundation 2016 A number of European jazz musicians stand out for having shaped the sound of the music in the past fifty years, for their virtuosity and for having ...

12

Article: Album Review

Various Artists: Tribute to Andrezej Przybielski Vol. 1

Read "Tribute to Andrezej Przybielski Vol. 1" reviewed by Karl Ackermann


If the Polish trumpeter and composer Andrzej Przybielski (1944-2011) was under-recognized in his native country, he has been all but unknown in the West. Though he had established his early career in traditional jazz groups, he later became a mythical figure on the Polish avant-garde jazz and free jazz scenes. Later in his career, Przybielski entered ...

12

Article: Profile

Improvised Music Company: Orbital Pathways, Gravitational Pull

Read "Improvised Music Company:  Orbital Pathways, Gravitational Pull" reviewed by Ian Patterson


Arguably some of the most dramatic changes in jazz have taken place in the last quarter of its century-long history: the emergence of a strong European jazz identity/identities; technological advances that empower individuals to become their own producers; Youtube, which has all but erased the boundary between past and present; the increase in pedagogical institutions; pan-national ...

11

Article: Live Review

Euopean Jazz Conference 2016: Polish Jazz Showcases

Read "Euopean Jazz Conference 2016: Polish Jazz Showcases" reviewed by Ian Patterson


European Jazz Conference: Polish Jazz Showcases National Forum Of Music Wroclaw, Poland September 22-24, 2016 One of the great things about returning to Poland each time is the exposure to new jazz talent, because beyond the internationally renowned marquee names--the historic Polish greats--are a great number of outstanding artists. How ...

1

Article: Lyrics

I nuovi percorsi del Polish Jazz

Read "I nuovi percorsi del Polish Jazz" reviewed by Angelo Leonardi


Una nuova generazione si fa avanti con determinazione sulla scena del Jazz polacco e molti trovano accoglienza nel catalogo della For-Tune. L'etichetta si propone ambiziosamente di “salvare dall'oblio i fenomeni musicali di natura eterna." Non si rivolge esclusivamente al jazz o agli artisti polacchi e il suo catalogo ospita anche lavori di William Parker, Mary Halvorson, ...

14

Article: Album Review

Manu Katché: Unstatic

Read "Unstatic" reviewed by Karl Ackermann


Drummer Manu Katché's career has been a long, circuitous one that began in rock, working for an extended period with Peter Gabriel, Sting and Joni Mitchell. In the cases of Sting and Mitchell, there was a jazz sensibility present in much of their work. Simultaneously, Katché's work on the ECM label was taking shape as he ...

1

News: Birthday

Jazz Musician of the Day: Tomasz Stanko

Jazz Musician of the Day: Tomasz Stanko

All About Jazz is celebrating Tomasz Stanko's birthday today! Tomasz Stanko was 20 and a graduate of the Cracow Music Academy when he formed his first band, the Jazz Darings, with pianist Adam Makowicz in 1962. Inspired by early Ornette Coleman and the innovations of Coltrane, Miles Davis and George Russell, the group is often cited ...

20

Article: Album Review

Dawda Jobareth/Stefan Pasborg: Duo

Read "Duo" reviewed by Karl Ackermann


Dawda Jobareth and Stefan Pasborg's Duo is unique on more than one level. A Gambian native, Jobareth is an authentic West African griot. The term--broadly associated with that region's storytellers/oral historians/minstrel artistic class--applies only to authentic griots, though the expression is widely borrowed or misused. Also unusual is the diversity of music that Jobareth has embarked ...

11

Article: Album Review

Tomasz Dabrowski: S-O-L-O: 30th Birthday/30 Concerts/30 Cities

Read "S-O-L-O: 30th Birthday/30 Concerts/30 Cities" reviewed by Jakob Baekgaard


Playing solo is a challenge that takes a lot of discipline. Whereas jazz often relies on the exchange of ideas in a group, there is only one person to carry out what pianist Bill Evans called his “conversations with himself." The consequence is that a soliloquy has the risk of going stale, but it can also ...


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