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Superposition: Superposition
by Friedrich Kunzmann
This outing by Helsinki-based jazz group Superposition is as bold as debut records come. In place of catchy melodies, the reeds focus on odd lines composed of small intervals. Instead of comfortable swing and funky shuffles, bass-and snare-drum work up a choppy sweat to wild cymbal blows. Not to mention the unstoppable double-bass fingers, running up ...
Don Cherry: Cherry Jam
by Karl Ackermann
In the same year that composer/multi-instrumentalist Don Cherry recorded his milestone Complete Communion (Blue Note, 1966) he took his cornet to the studio of Danish National Radio. Cherry had established himself by the early 1960s, playing with Steve Lacy, Ornette Coleman, Paul Bley, John Coltrane, Charlie Haden, Archie Shepp, Albert Ayler and Ed Blackwell. Copenhagen began ...
Farnell Newton, Nuphar Fey and a tribute to Jon Christensen
by Bob Osborne
Two featured new albums from Farnell Newton and Nuphar Fey and a comprehensive tribute to Norwegian drummer Jon Christensen who passed away on 18th February Farnell Newton gets up on the good foot and heads off full speed ahead on his second leader album for Posi-Tone. This action packed session features the high powered ...
Maria Pia De Vito: Bergamo Jazz and Beyond
by Libero Farnè
Non tutte le cantanti, attraverso l'espressione interpretativa, riescono a mettere in piena evidenza il mondo socio-culturale che sta all'origine delle singole canzoni da loro proposte. Proprio questa sembra essere la preoccupazione irrinunciabile di Maria Pia De Vito, che col suo lavoro ha sempre teso a esaltare l'interconnessione, strettissima, indispensabile, fra il livello colto e quello popolare, ...
Results for pages tagged "tomasz stanko"...
Tomasz Stańko
Born:
Tomasz Stanko was 20 and a graduate of the Cracow Music Academy when he formed his first band, the Jazz Darings, with pianist Adam Makowicz in 1962. Inspired by early Ornette Coleman and the innovations of Coltrane, Miles Davis and George Russell, the group is often cited by music historians as the first European group to play free jazz, but for the trumpeter its importance was eclipsed by the invitation to join Krzystof Komeda's quintet the following year. Stanko has acknowledged that much of his subsequent musical direction and his own compositional style was influenced by Komeda. The lyricism, the feeling of playing only the essential, the approach to structure, to asymmetry, many harmonic details. Stanko toured for five years with Komeda, appeared on 11 albums with him, and also made contributions to all of the films scores that Komeda realized in Poland.
Jim Black, Mario Santos, William Parker, Dave Sewelson and More
by Maurice Hogue
Is it too early to choose a “best-of" for 2020. I know it's only January, but drummer Jim Black has released an absolute killer of an album with pianist Elias Stemeseder and bassist Thomas Morgan that is an outstanding piece of work. Reckon came out on the Intakt label from Switzerland in January, so be on ...
Uli Beckerhoff: Diversity
by Ian Patterson
German trumpeter/composer Uli Beckerhoff has dedicated half a century to his craft, earning numerous plaudits and awards along the way. His collaborations have been many and varied, as evidenced on the career retrospective 70 (Dot Time Records, 2017), a double CD compilation featuring collaborations with John Abercrombie, Palle Danielsson, Norma Winstone, John Marshall, Arild Andersen and ...
Dave Sewelson, Satoko Fujii and Tatsuya Yoshida & More
by Maurice Hogue
There's a definite theme of muscular sounding saxophone in this edition of One Man's Jazz: Dave Sewelson, Steve Baczkowski, Chris Pitsiokos, Massimo Magee, Tomasz Szukalski, Marty Ehrlich, Cene Resnik, David Leon, Jonas Kullhammar and Remy Alvarez can all skronk with the best of them, and they're somewhere blowing their reeds apart throughout the music in this ...
Piotr Damasiewicz & Power Of The Horns Ensemble: Polska
by Chris May
Poland's jazz tradition is perhaps the deepest rooted in all of Europe. Only Britain can rival it. But unlike British jazz, Polish jazz began in part as a declaration of protest against slavery and repression, as did that of its American parent, and this has given it a special quality. The slavery and repression were occasioned ...
Chris May's Best Releases of 2019
by Chris May
The world may be going to hell in a handcart, but the year has been full of uplifting jazz. Here are ten of the best albums--the first seven newly recorded, the final three reissued or recently unearthed. Each one is the coyote's cojones. Yazz Ahmed Polyhymnia Ropeadope The eagerly ...
