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New albums from Ernesto Jodos, Dan Weiss, and Manteca
by Bob Osborne
This week we feature great new albums from Ernesto Jodos, Dan Weiss with his Starebaby band, and Manteca. I am also continuing my look at recent releases by Ken Stubbs as well as featuring cutting edge music from Tim Berne's Snakeoil, the trio of Jeff Kimmel, Ishmael Ali, with Bill Harris, and the Dave Rempis Percussion ...
The Volcanic World Of Pyroclastic Records
by Mark Corroto
As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...
Mary Halvorson's Code Girl: Artlessly Falling
by Vic Albani
Esistono due donne nel mondo del jazz moderno che hanno mostrato di conoscere e capire in toto il genio musicale di Robert Wyatt. La prima, molto tempo fa e quindi in tempi non sospetti, è stata Carla Bley e non c'è altro da aggiungere. La seconda, che è invece colei di cui vogliamo scrivere, è Mary ...
Tim Berne: The Deceptive 4—Live
by Mark Corroto
The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...
Jason Robinson: Harmonic Constituent
by Mark Corroto
If you've ever visited Mendocino County you would have a head start to appreciate saxophonist Jason Robinson's Harmonic Constituent. His week-long retreat to this magnificent Northern California coast inspired this ambitious and diverse recording. Robinson, a musical omnivore previously recorded with the quartet Cosmologic, his Henry Threadgill inspired Janus Ensemble, in duos with Anthony Davis and ...
Tim Berne's Snakeoil: The Deceptive 4—Live
by Dan McClenaghan
Alto saxophonist Tim Berne has given his various ensembles some cool names over the years. There was Big Satan, Bloodcount, Science Friction, Hard Cell. Then, in 2012, on his first recording for ECM Records, he introduced his group (and the album) Snakeoil. The band has become, since then, his main--though certainly not his only--means of artistic ...
Sun of Goldfinger: Congratulations to You
by Mike Jurkovic
As if Tim Berne were a pied piper bearing the eleventh hour of democracy solely on his back, on the fourteen-minute opener “Bat Tears" (recorded in 2010) his rebel alto and now-retired baritone saxophones presciently pierce the abhorrent now under which we all labor, with a viscerally ecstatic, David Torn-Dopplered, sweeping, urgency which seizes the senses ...
Angelica Sanchez & Marilyn Crispell: How To turn the Moon
by Dan McClenaghan
Fans of piano jazz might have a preference for the trio format—piano/bass/drums. Or they might like their piano straight, no chaser, with solo piano sets. There is no shortage of trio and solo recordings floating around for our listening enjoyment. But two pianos? Rare, though not unheard of. Brad Mehldau and Kevin Hays offered up the ...
Dan Pitt: Monochrome
by Dan McClenaghan
Toronto-based guitarist Dan Pitt debuted as a recording artist in 2019 with his trio outing, Fundamentally Flawed (Self Produced). A versatile gutarist who plays in a variety of styles, he has performed with cellist Andrew Downing, saxophonists Tim Berne and Michael Attias, and bassist Michael Formanek. Monochrome, Pitt's offering for 2020, is a solo ...
Heavy Rotation For A Pandemic Summer
by Mark Corroto
In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...
