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290

Article: Live Review

Noah Preminger Quartet, Boston, February 23

Read "Noah Preminger Quartet, Boston, February 23" reviewed by Gordon Marshall

by Gordon Marshall

Noah PremingerScullers Jazz ClubBoston, Mass.February 23, 2011 To judge by his sophomore effort, Before the Rain (Palmetto, 2011), tenor saxophonist Noah Preminger's singular forte is the reinvention of the ballad. He does it so well, and so nearly exclusively, that it came as a pleasant surprise, during his performance at Scullers ...

189

News: Recording

Thelonious Monk: Let's Cool One

Thelonious Monk: Let's Cool One

One of my favorite Thelonious Monk sessions took place on May 30, 1952, his last for Blue Note Records. There's a slippery urgency to the pianist's playing on this date, and the sidemen are both bluesy and martini dry. Joining Monk was Kenny Dorham (trumpet), Lou Donaldson (alto sax), Lucky Thompson (tenor sax), Nelson Boyd (bass) ...

103

Article: Album Review

Kit Downes Trio: Quiet Tiger

Read "Quiet Tiger" reviewed by Bruce Lindsay

by Bruce Lindsay

The Kit Downes Trio's first album, Golden (Basho Records, 2009), won a Mercury Music Prize nomination and put the group firmly at the forefront of British jazz. Quiet Tiger finds the Trio eager to move forward, redefining its sound. Not content to rest on the laurels garnered by Golden, pianist and composer Downes has augmented the ...

417

Article: Extended Analysis

Roberta Piket: Sides, Colors

Read "Roberta Piket: Sides, Colors" reviewed by Victor L. Schermer

by Victor L. Schermer

Roberta Piket Sides, ColorsThirteenth Note Records2011 Roberta Piket is a pianist with rich musical abilities who is making a name for herself as one of the best of her generation of keyboard players. Her 2011 release, Sides, Colors is a well-conceived recording, using her trio supplemented by strings and ...

527

Article: Interview

Roberta Piket: Making a Difference

Read "Roberta Piket: Making a Difference" reviewed by Victor L. Schermer

by Victor L. Schermer

Roberta Piket is a jazz pianist, composer, and arranger with an exceptional range of expression. In the same tune or performance, she moves fluidly between bebop, hard bop, blues, soft and mellow, up-tempo, contrapuntal, and advanced harmonic motifs, making it all come together in meaningful, coherent statements of ideas and emotions. She thinks hard when she ...

153

Article: Album Review

Benjamin Drazen: Inner Flights

Read "Inner Flights" reviewed by Dan Bilawsky

by Dan Bilawsky

The peaceful, John Lennon-like face on the cover of Inner Flights is merely a mask. Behind that calm exterior is a musician with killer instincts and serious chops. Sure, saxophonist Benjamin Drazen can be calm and graceful when he wants to, as he is on Inner Flights' closing track, “Polka Dots And Moonbeams," but more often ...

122

Article: Album Review

Marty Williams: Long Time Comin'

Read "Long Time Comin'" reviewed by C. Michael Bailey

by C. Michael Bailey

Bay Area fixture Marty Williams does not have a pretty singing voice. It doesn't need to be because it is a commanding one--readily identifiable, friendly, accessible and honest. and worth much more than being pretty. Doubly talented, Williams has a piano style right out of the righteous songbook of Junior Mance, Les McCann, and Gene Harris, ...

225

Article: Album Review

Fred Hersch: Alone At The Vanguard

Read "Alone At The Vanguard" reviewed by Dan Bilawsky

by Dan Bilawsky

Creating an album title--Alone At The Vanguard--that reads as a double entendre and an oxymoron--whether intentional or not--is a great achievement, but not nearly as impressive as the music that pianist Fred Hersch presents on this live recording. While the Vanguard in the title is a direct reference to the hallowed basement club in New York ...

188

Article: Album Review

Mark Weinstein: Jazz Brasil

Read "Jazz Brasil" reviewed by Edward Blanco

by Edward Blanco

Flautist Mark Weinstein has been a major force in the Latin jazz genre for some time, releasing projects almost yearly. Though the body of his discography falls squarely within the Afro-Cuban form which remains his passion, he has slowly gravitated towards the Brazilian sound, releasing three Brazilian-style projects, for Jazzheads, since 2005. On Jazz Brasil, Weinstein ...

276

Article: Album Review

Abdullah Ibrahim & Ekaya: Sotho Blue

Read "Sotho Blue" reviewed by Dan McClenaghan

by Dan McClenaghan

The pianist's name was Dollar Brand. He came out of a nascent South African jazz scene in 1959 with The Jazz Epistles, a group that included trumpeter Hugh Masekela. Though his profile has never reached Masekela-like heights--the trumpeter's fame shot sky high with a huge number one pop chart hit in 1968, “Grazin' in the Grass"--Dollar ...


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