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Results for "Thelonious Monk"
Oz Noy: Twisted Blues Volume 1
by Glenn Astarita
Born in Israel and a New Yorker since 1996, guitarist Oz Noy's star is on the rise with this fifth solo album, amid numerous session gigs with notable jazz and jazz-fusion artists. Ultimately, Noy brings a signature voice to the forefront and his global approach to the electric guitar imprints a trademark of sorts. With his ...
Skip Heller: Foolish Me
by C. Michael Bailey
Fred “Skip" Heller is a hip musical polymath from Philadelphia, living on the West Coast, where he burns through musical styles like there is no definition. He has a major, and unapologetic, jones for John Hartford and Roger Miller and an encyclopedic knowledge of American music, of which he continues to be a student, teacher, shaman. ...
What's The Point, Part 1
by Dom Minasi
This is the first entry for my new column at All About Jazz. I actually published What's The Point? in my own blog in January 2012. All About Jazz asked if I would be interested in writing for them; I was surprised and honored. I decided to update and rewrite the original article; because of the ...
Barry Harris at the Village Vanguard
by Bob Kenselaar
Barry HarrisVillage VanguardNew York, NYJanuary 15, 2012 Ambling in from the back of the room, Barry Harris introduced his trio to the crowd at the Village Vanguard as the musicians filed in ahead of him: Ray Drummond on bass, Leroy Williams on drums, and then he announced, with a wink, ...
Sonny Rollins: Mark of Greatness
by R.J. DeLuke
Making two trips to the White House within a calendar year, to receive two of the nation's most prestigious awards bestowed upon artists, is more than fairly momentous. Those are significant feathers in the ol' cap--surely reasons to crow or, at the very least, feel pretty satisfied about oneself. So it had to be ...
Kenny Burrell: Every Note Swings
by Chris M. Slawecki
Kenny Burrell has appeared on so many essential jazz recordings that jazz history and his story seem irretrievably intertwined. Billie Holiday's valedictory rumination Lady Sings the Blues (Verve, 1956)? Jimmy Smith's epochal funk throwdown Back at the Chicken Shack (Blue Note, 1960)? Tony Bennett's Carnegie Hall debut? Kenny Burrell played guitar for them all. Even Jimi ...
BAM or JAZZ: Part Two!
by Greg Thomas
Jazz, an art form given birth in the United States by descendents of the formerly enslaved, has a complicated relationship with race. Although race, as a popular idea, has no basis in biology, many people mentally adhere to the idea of dividing groups of people based on “race" as opposed to understanding how groups of people ...
Talking Cows: Almost Human
by Raul d'Gama Rose
If there is anything better than the off-the-wall humor of the video promo that preceded this Talking Cows album, it is the actual album itself. Yet much more than the humor of it all is the spectacular seriousness of the music: deadly serious, and for those familiar with the high standards of music (and humor) in ...
Eugene Chadbourne and Warren Smith: Odd Time
by Raul d'Gama Rose
All art is activist; or at least it should be when it challenges established and accepted forms that play to the laissez-faire, the reactionary and the antisocial--and the greater good of the greater number of people experiencing (or trying to experience) it. The music of Beethoven was just so, the composer cancelling the dedication of his ...
Jim Ketch: A Distant View
by Nicholas F. Mondello
A Distant View delivers intelligent music performed by highly involved players across a dozen diverse selections ranging from straight-ahead hard bop, calypso, an obligatory standard and a Chuck Mangione-esque soft rock tidbit thrown in for dessert. Incorporating a classic Art Blakey and the Jazz Messengers quintet formula, these outstanding players share a common interest here in ...
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