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Time Check: A Paucity of Riches?
by Jack Bowers
On May 18, Betty and I flew to Los Angeles to attend Time Check: A Buddy Rich Alumni Reunion, a four-day panorama sponsored by the L.A. Jazz Institute and held at the Sheraton Gateway Hotel, about a stone's throw or two from the LAX airport. We arrived early afternoon so we could also be present for ...
Ellery Eskelin Trio Willisau: Live
by Mark Corroto
I considered writing just this sentence as my review of Ellery Eskelin's trio recording Live, “A thing of beauty is a joy forever." Taken from poet John Keats' 1818 poem “Endymion," the line just about says it all. Ok, to appease those that need a bit more information, Keats continues, “its loveliness increases / ...
Eduardo Elia: Solo
by Dan McClenaghan
Argentinian pianist Eduardo Elia, based now in his homeland, attended Berkelee College of Music in Boston. He has a handful of CD releases as a leader, and beyond that, information on the artist is hard to find. His internet profile is sketchy. So the review is all about the music, and maybe that's how ...
Luis Perdomo: Montage
by Mark Corroto
The highest praise you can give to a recording by a solo performer is that the music was made just for your ears. Pianist Luis Perdomo's Montage gives just that impression. It's easy to imagine these fifteen tracks were played in your living room, or automobile, for that matter. After releasing seven discs as ...
When the Moon Hits the Sky, Via Veneto Jazz/Jando Music 2016
by Mark Corroto
Whether or not you speak Italian, know that Italians are fluent in the language of jazz music. Traditional Italian record labels like Black Saint, Soul Note, CAM Jazz, and Splash(h) Records, have paved the way for a deep and rich pool of artists worth your attention. Via Veneto Jazz and Jando Music are two such labels, ...
Paul Chambers: Bass on Top – 1957
by Marc Davis
In the world of 1950s hard bop, there is no more prominent bassist than Paul Chambers. The man was absolutely everywhere. He shows up on an astonishing number of jazz classics, including Miles Davis' Kind of Blue, John Coltrane's Giant Steps, Thelonious Monk's Brilliant Corners, Sonny Rollins' Tenor Madness and Oliver Nelson's The Blues ...
Greg Osby: Saxophone “Griot”
by Victor L. Schermer
The griot is a West African historian, storyteller, praise singer, poet and/or musician, a repository of oral tradition who is often seen as a societal leader. Saxophonist Greg Osby recently was excited to meet some griots on his travels. While he is originally from St. Louis, he himself is a griot in many senses of the ...
Danny Mixon: Pass It On
by Chris M. Slawecki
You'd think that a pianist who's solidly served as sideman for such pillars of the jazz community as Charles Mingus, Betty Carter, Kenny Dorham, Grant Green and others (including Afro-Cuban firebrands Pucho & His Latin Soul Brothers), would be at least somewhat famous. But since his first performances in the mid-1970s, pianist Danny Mixon has maintained ...
Jan Kus Quartet: Faith
by Chris M. Slawecki
As a young Slovenian saxophone student, Jan Kus proved so promising that he earned a scholarship from the Slovenian Ministry of Culture to study at the Royal Conservatory of The Hague, studies which included tours of Belgium, Cyprus, Greece, Hungary, Italy, Slovenia, Slovakia, and The Netherlands, with other young European jazz players. In 2012, Kus crossed ...
Five By Five - More Love From Ivo Perelman
by Mark Corroto
2015 saw six releases by tenor saxophonist Ivo Perelman. It's early in 2016, and we already have five new releases. At this pace, one can only hope for five more. Certainly, noting the combinations of players presented here and the high level of improvisation, there could easily be ten more sessions with ten different permutations. Or, ...
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