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George Wein: A Life and Legend in Jazz
by Doug Hall
Last summer, in June of 2017, I had the privilege and opportunity to interview George Wein, founder and producer of the seminal Newport Jazz Festival. At 91, he was just in the process of supporting and transitioning the new artistic director Christian McBride into this demanding and critical role for the future of the Newport Jazz ...
Michael Leonhart: Surfing on an Orchestral Wave
by Ludovico Granvassu
If one were to find an answer to the age-old “nature or nurture" debate, s/he would have to look no further than The Painted Lady Suite [Sunnyside Records]. Listening to the stunning debut album by the Michael Leonhart Orchestra makes it clear that major achievements are only possible when nature and nurture are well integrated and ...
Geoffrey Keezer at South Jazz Parlor
by Victor L. Schermer
Geoffrey Keezer Trio South Kitchen and Jazz Parlor Philadelphia, PA July 8, 2018 Pianist Geoffrey Keezer is a jazz master who has worked with many of the greats since 1989 when he briefly joined the end game of Art Blakey's Jazz Messengers. He has recorded and played ...
Dexter Gordon Quartet: Tokyo 1975
by C. Michael Bailey
Elemental Music is a record label that can be uttered in the same breath with Omnivore Records and Resonance Records. These labels can be credited with significant additions to the universal jazz catalog. Near recent examples of unreleased performances put out by Elemental Music include: Art Pepper Live At Fat Tuesday's (2015) and Red Garland's Swingin' ...
Charles Lloyd &The Marvels + Lucinda Williams: Vanished Gardens
by Mark Sullivan
At age 80 legendary saxophonist/composer Charles Lloyd shows no signs of slowing down. In addition to his New Quartet--most recently documented on Passin' Thru (Blue Note Records, 2017)--he has collaborated with the Greek singer Maria Farantouri on Athens Concert (ECM, 2011); played duets with Quartet pianist Jason Moran on Hagar's Song (ECM, 2013); and produced a ...
Bill Frisell: Music IS
by Ian Patterson
Widely touted as Bill Frisell's second solo recording, and his first since the darkly introspective Ghost Town (Nonesuch, 2000), Music IS is, in fact, the guitarist's third, with the oddly overlooked Silent Comedy seemingly having slipped by most folk. That outing, on John Zorn's Tzadik label, was unique in Frisell's discography for being freely improvised, whereas ...
Thandi Ntuli: On Exile
by Seton Hawkins
South African pianist, composer, and vocalist Thandi Ntuli entered 2018 not with a bang, but with a thermonuclear blast. At the close of 2017, she had been selected as the recipient of the 2018 Standard Bank Young Artist Award in Jazz, anointing her as the latest figure in an incredible lineage of South African ...
Baden Powell: Tristeza on Guitar
by Chris May
2018 is the 50th anniversary of the founding of the German jazz label MPS. To mark the occasion, the label's catalogue of over 400 albums has been released on download, and a vinyl and CD reissue programme has begun. Brazilian guitarist Baden Powell's Tristeza on Guitar is among the first of these discs. Originally released in ...
Thelonious Monk Inside Out: A Fresh Perspective On His Music
by Victor L. Schermer
Over the years, Thelonious Monk has resided in our collective minds and hearts like the extra-terrestrial “E.T." or Holden Caulfield from Catcher in the Rye, or some such alien figure whom we don't fully understand yet love and enjoy. His music shocks and disturbs us, yet we take great pleasure in it like a jolting ride ...
Fred Hersch Trio: Live In Europe
by Jerome Wilson
For the past few years, pianist Fred Hersch has been releasing CDs with a regularity that would make them feel routine if the music wasn't always so good. This new one is another live effort featuring his long standing trio with John Hebert and Eric McPherson, this time recorded in Brussels. As usual, it's excellent.
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