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Mal Waldron: Free At Last
by Karl Ackermann
The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...
Geno Thackara's Best Releases of 2019
by Geno Thackara
Another year, another wealth of goodies, and as usual it seems unfair to narrow down so many fine offerings to only a dozen favorites. Also as usual, there were a couple late discoveries that would have deserved to be included here last year if I'd known about them at the time. Belated credit goes to the ...
Karl Ackermann’s Best Releases of 2019
by Karl Ackermann
2019 was the year when one couldn't turn an ear without hearing a release that featured either Kris Davis or Matthew Shipp. Between the two pianist/composer/improvisers, listeners have been treated to more than a dozen recordings, each noteworthy. Then there is Satoko Fujii. On the heels of her 2018, twelve-album birthday celebration, the pianist issued another ...
Roger Kellaway: The Many Open Minds Of Roger Kellaway
by Jack Bowers
Criticize pianist Roger Kellaway? You must be kidding. Describe Roger Kellaway? That's a fair bet and far more advisable. Kellaway, who is eighty years old as this is being written, embodies the boundless exuberance, creative power and impeccable technique of any player half his age, all of which he displays unfailingly on The Many Open Minds ...
Coleman Hawkins: Fifty Years Gone, A Saxophone Across Time
by Arthur R George
Fifty years ago this past year, Coleman Hawkins, considered the father of tenor saxophone in jazz, passed away. Thelonious Monk was pacing back and forth in the hallway outside Hawkins' hospital room when the saxophonist succumbed at age 64 on the morning of May 19, 1969, from pneumonia and other complications. Monk was holding a short ...
Russ Lossing Trio: The Ways
by Mark Corroto
The Russ Lossing Trio should record more. Ways, which follows the excellent Oracle (hatOLOGY, 2011), is just the second recording this longstanding trio has released. More music from them would allow fans to study the development of the chemistry between Lossing, bassist Masa Kamaguchi, and drummer Billy Mintz. The instantaneous telepathy between piano, bass, ...
DSC Band: Monk Time
by Chris M. Slawecki
MonkTime is Leon Lee Dorsey's first album as a leader in twenty years and in this case, patience truly is a virtue: The bassist's tribute to the legendary composer and pianist simultaneously debuts Dorsey's new band, a trio with guitarist Greg Skaff and drummer Mike Clark, the standard for contemporary jazz-rock and jazz-funk drumming who sticks ...
Peter Brötzmann: I Surrender Dear
by Mark Corroto
You can forgive yourself if you get the feeling that you're a bit of a voyeur while listening to I Surrender Dear, the solo recording by saxophonist Peter Brötzmann. This sense of eavesdropping is due to the intimate sounds and the great man's choice of music. This intimacy is not something you generally associate with Brötzmann's ...
Chick Corea: Trilogy 2
by Mike Jurkovic
In his restless and adventurous sixty year career, Chick Corea has presented his music in a myriad of assemblages, from sideman to leader, solo, duo, quartet, quintet, fusion, traditional, classical, flamenco, world music, etc. And bless him for it. But if truth be told, perhaps the time tested piano trio is the truest representation of his ...
Riding Waves, Moving Boundaries, and Building The Wall
by Chris M. Slawecki
Franco Ambrosetti Quintet Long Waves Unit Records 2019 Trumpeter Franco Ambrosetti balances in the middle of three jazz generations, the father of saxophonist Gianluca and son of saxophonist Flavio, who once played opposite Charlie Parker at the Paris Jazz Festival. Although he grew up studying classical ...
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