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The Ex

1

Article: Live Review

Festival International de Musique Actuelle de Victoriaville 2019, Part 2-2

Read "Festival International de Musique Actuelle de Victoriaville 2019, Part 2-2" reviewed by Mike Chamberlain


Part 1 | Part 2 Festival International de Musique Actuelle de Victoriaville Victoriaville, Quebec, Canada May 16-19, 2019 The first two days of this year's FIMAV lived up to lofty expectations, and, if anything, Saturday's and Sunday's programs looked even more promising, with artists such as Roscoe Mitchell Vijay Iyer, ...

1

Article: Radio

Destination Africa! Part II: Benin, Congo, Ethiopia, Nigeria, Senegal, Zimbabwe

Read "Destination Africa! Part II: Benin, Congo, Ethiopia, Nigeria, Senegal, Zimbabwe" reviewed by Ludovico Granvassu


As we continue our exploration of jazz by African musicians and by foreign musicians fascinated with the African continent and its music, this week we focus on Benin, Congo, Ethiopia, Nigeria, Senegal & Zimbabwe. Happy Listening! Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" from Mondo Jazz ...

Album

Y’Anbessaw Tezeta

Label:
Released: 2013
Track listing: CD 1 1. Ambassel - 7:38; 2. Tezeta - 4:25; 3. Bertukane / Yematebela Wof / Shegitu - 5:55; 4. Bati - 3:47; 5. Ene Eskemot Derese - 4:11; 6. Yegna Mushera - 4:06; 7. Aha Gedawo - 5:04; 8. Almaz Men Eda New - 4:24; 9. Abbay Abbay / Yene Ayal - 4:31; 10. Zerafewa / Eregedawo - 4:21. CD 2 1. Yene Hasab Gwadegna - 6:26; 2. Aha Gedawo - 5:03; 3. Shellelle - 6:50; 4. Track Listing: Yegenet Musica - 4:57; 5. Ambassel - 7:21; 6. Lale Guma (Aha Begena) - 8:06; 7. Yaf Zemed Mech Teffa (From Hinge Perspective) - 6:04; 8. Bati - 2:22; 9. Shellelle / Fukera - 5:02; 10. Ambassel 12:02.

Article: Album Review

Getatchew Mekuria & The Ex & Friends: Y’Anbessaw Tezeta

Read "Y’Anbessaw Tezeta" reviewed by AAJ Italy Staff


Diciamolo subito: Y'Anbessaw Tezeta rappresenta un doppio CD importante e atteso, con vette altissime, ma che in buona parte non rende giustizia alle collaborazioni del settantasettenne sassofonista etiope con i musicisti europei, sia perché la coinvolgente ritualità e l'impatto visivo di questa musica sono ben più apprezzabili dal vivo che su disco, sia per il fatto ...

Article: Album Review

The Ex: Catch My Shoe

Read "Catch My Shoe" reviewed by AAJ Italy Staff


"The Ex," ovvero l'alterità dal rock. La storia musicale che inizia nel 1979, della quale i protagonisti devono sentirsi fieri, conduce la musica rock quasi lontano da se stessa, spostandone la sostanza di musica marziale, meccanica. Quasi, appunto, ma questo quasi è molto importante. E' il momento della registrazione che viene vissuto anch'esso come momento di ...

574

Article: Film Review

The Convoy Tour: 25 Years of The Ex

Read "The Convoy Tour: 25 Years of The Ex" reviewed by Eyal Hareuveni


The EX The Convoy Tour: 25 Years of The Ex Ex Records 2009 Dutch group The Ex might be one of the greatest jazz bands ever. Not, most certainly, because it has mastered a traditional, neo-con agenda, but because it rebels constantly against all such paradigms and conventions, ...

Article: Film Review

Gétatchèw Mèkurya and The Ex plus guests

Read "Gétatchèw Mèkurya and The Ex plus guests" reviewed by AAJ Italy Staff


Gétatchèw Mèkurya - The Ex Gétatchèw Mèkurya and The Ex plus guests étioSonic - distr. Egea (2008) Valutazione: 5 stelle Ascoltando un album spesso ci si chiede come veramente i musicisti compongano i brani o decidano come e se impostare e controllare le loro improvvisazioni. Eccoci, con telecamere e microfoni dentro al processo compositivo che testimonia ...

1

Article: Live Review

The Ex + Mohammed Jimmy Mohammed

Read "The Ex + Mohammed Jimmy Mohammed" reviewed by AAJ Italy Staff


Area Sismica - Forlì - 04.11.2006 Un’accoppiata abbastanza improbabile - sulla carta e forse anche nei fatti - quella fra il post-punk/noise degli olandesi Ex e la musica “pop” etiope di Mohammed Jimmy Mohammed. Ma è dal suo viaggio in Africa una decina d’anni fa che Terrie, chitarrista e membro fondatore degli Ex, ha preso a ...


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