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271

Article: Album Review

Cheryl Bentyne: Let Me Off Uptown

Read "Let Me Off Uptown" reviewed by Greg Thomas


Away from the multi-Grammy winning Manhattan Transfer, soprano Cheryl Bentyne has taken this opportunity to put together a fine tribute to the under-appreciated Anita O'Day. The caliber of musicianship is top-notch, with Bill Holman conducting the “Mighty Little Big Horns, a group of first-rate Los Angeles musicians, among them Pete Christlieb, a robust ...

142

Article: Album Review

Lea Delaria: Double Standards

Read "Double Standards" reviewed by Marcia Hillman


Double Standards is Lea DeLaria's jazz approach to a selection of rock classics. She has chosen eleven diverse songs vocally to slip and slide around. The first track, Patti Smith's “Dancing Barefoot, features some lively moments during which she trades scatting solos with tenor saxophonist Seamus Blake. Blondie's “Call Me is translated with a blues feel ...

209

Article: Album Review

Dave Brubeck Quartet: London Flat, London Sharp

Read "London Flat, London Sharp" reviewed by George Harris


It's ironic that Dave Brubeck, alive and well into his 80's, is best known for a song he didn't even write over forty years ago. Ironic, because, as London Flat, London Sharp testifies, his own writing has only improved with age. With the wisdom that comes with decades of playing, his touch on the piano, while ...

147

Article: Album Review

Tierney Sutton: I'm With The Band

Read "I'm With The Band" reviewed by Glenn Astarita


On I'm With The Band, jazz vocalist Tierney Sutton's performances at New York City's Birdland venue highlight the musical kinship and tight-knit connection she has come to enjoy with her band. In addition, the vocalist possesses the control and discipline of an operatic singer, coupled with a cool sensuous delivery and a consummate sense of swing. ...

183

Article: Album Review

Garage A Trois: Outre Mer

Read "Outre Mer" reviewed by Michael McCaw


Garage a Trois, a quartet consisting of Mike Dillon, Charlie Hunter, Skerik, and Stanton Moore, recorded Outre Mer live with no overdubs: no small feat given its buoyantly dense sound. And although the name of the band doesn't quite fit the number of musicians, they combine elements found in each of their solo projects to form ...

115

Article: Album Review

Tierney Sutton: I'm With the Band

Read "I'm With the Band" reviewed by Jim Santella


Despite the support of a stellar piano trio and sterling musical arrangements, Tierney Sutton turns in a lackluster performance on her first live recording. Recorded at Birdland earlier this year, the session of jazz standards and early popular songbook selections follows a melodic course. Inhibited and determined to get every note just right, the singer interprets ...

208

Article: Album Review

Garage a Trois: Outre Mer

Read "Outre Mer" reviewed by John Kelman


Film music has its own sets of demands, often required to elevate the emotional content of the cinematic story while at the same time seamlessly blending so that it doesn't dominate. And while scores can literally define the mood of a film at their best--think Hitchcock's Psycho--and some only work in conjunction with the films for ...

260

Article: Album Review

Tierney Sutton: I'm With The Band

Read "I'm With The Band" reviewed by Stephen Latessa


Reviewers tend to spend a good amount of time talking about technique and other matters while bypassing the simple question of whether a voice or instrument sounds good. But the sound of vocalist Tierney Sutton's wonderful, supple voice is hard to get around; it's just a pleasure to hear. Pairing her with a talented, sympathetic band, ...

233

Article: Album Review

Garage A Trois: Outre Mer

Read "Outre Mer" reviewed by Stephen Latessa


Garage A Trois' Outre Mer is the soundtrack to an as yet unreleased French film of the same name. The band, consisting of Mike Dillon (percussion, vibraphone), Charlie Hunter (eight-string guitar, pandero), Stanton Moore (drums, polyrhythms), and Skerik (saxophone), lays down surging funk-influenced tunes, tempered by the intricate delicacy of vibraphone and guitar. The ...

114

Article: Album Review

Geri Allen: The Life of a Song

Read "The Life of a Song" reviewed by Francis Lo Kee


It's great to hear Geri Allen cut loose and play with abandon on this mostly trio effort (Mal Waldron's “Soul Eyes has trumpet, sax, and trombone briefly added). Hailing from Detroit and admittedly influenced by the Motown sound and feel, Allen plays with a refreshingly honest direction and immediacy. This particular trio, with Jack DeJohnette and ...


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