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Alexander Hawkins
by Paolo Peviani
Il tratto principale della mia musica È molto difficile rispondere ma spero che, in qualche modo, il tratto principale della mia musica corrisponda al tratto principale di me stesso. La qualità che desidero nei musicisti che suonano con me Gioia, apertura, generosità, e che non abbiano paure nel fare musica.
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
The Early Years of Sonny Stitt in Saginaw, Michigan
by Dustin Mallory
As one of most recorded saxophonists of his generation, Sonny Stitt made more than 100 albums under his own name. He also performed as a sideman with the likes of Miles Davis, Dizzy Gillespie, and Art Blakey. Despite the breadth of recorded work he left behind, Sonny Stitt's upbringing in Saginaw, Michigan is less well-documented. The ...
2016: The Year in Jazz
by Ken Franckling
The year 2016 bubbled with events and initiatives to strengthen jazz's place in American and world culture, as well as a variety of venue openings, closings and cancellations. Jazz hit the silver screen in many ways throughout the year, and International Jazz Day continued to thrive--complete with a major all-star concert at the White House. Pop ...
Jazz Education: The Next Generation, Part 1
by Karl Ackermann
A Protracted Beginning Ken Prouty, an assistant professor of Musicology and Jazz Studies at Michigan State University and author of Knowing Jazz: Community, Pedagogy, and Canon in the Information Age (University Press of Mississippi, 2013) has written at length about the early history of jazz education in the US. In his writings, he ...
Jazz Musician of the Day: Teddy Wilson
All About Jazz is celebrating Teddy Wilson's birthday today! His airy, effortless style, with its emphasis on lightly accompanied right-hand melody, was a key element in the transition from swing to bebop, and many modern jazz pianists took Wilson\'s approach as their starting point. His early recordings were percussive and forceful, but as he matured his ...
Peter Saltzman: Blues, Preludes and Feuds
by Geannine Reid
Solo piano albums have the special place in the cannon of improvised music as a mode of presentation and holds an honored place in jazz; the history could even be traced to music predating the origins of the genre. In mechanical terms, it has not changed, one musical artist sitting at the piano for well over ...
Hilary Gardner and Ehud Asherie at Caffè Vivaldi
by Dan Bilawsky
Hilary Gardner and Ehud Asherie Caffè Vivaldi New York, NY October 1, 2016 Visitors, curious natives, and jazz neophytes will often ask the same question when they come looking for the music in New York: Where's the best place to see and hear jazz? The answer, of course, is not ...
Miles Davis: Long Time Gone
This is how co-host Renee Montagne of National Public Radio’s Morning Edition opened one of the program’s hours this morning. We’re kind of blue. Miles Davis died 25 years ago today. It came as a shock to realize how quickly that sizeable amount of time has passed; and a comfort to know that a major creative ...
Tito Mangialajo Rantzer e il Questionario di Proust
by AAJ Staff
All About Jazz Italia: Il tratto principale della mia musica. Tito Mangialajo Rantzer: Che sia sincera e con lo sguardo verso l'ignoto e il rischio. Ma anche che sia in qualche modo legata alla tradizione, al suono di quella musica che chiamiamo jazz, della quale sono terribilmente innamorato. AAJI: La qualità che ...
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