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Torben Waldorff: Wah-Wah
by Hrayr Attarian
Danish guitarist Torben Waldorff's sixth album as a leader is a collection of elegant, subtle and intensely melodic compositions that simultaneously sound innovative and accessible. Wah-Wah is also his first without a saxophonist, leaving him alone in the frontline. His, long and satisfying solos are often tinted in muted colors as his intricate improvisations remain within ...
Susanna Lindeborgs and Mwendo Dawa Release "Mwendo Dawa Music"
Susanna Lindeborgs Mwendo Dawa has a new CD “Mwendo Dawa Music" (LJ Records, LJCD5256) MWENDO DAWA MUSIC - the title describes the personal and recognizable sound of MWENDO DAWA. Despite its long existence MWENDO DAWA still is a force into todays new music both in expression, technique and instrumental control. Jazz - freeform - fusion - ...
Anglagard: Viljans Oga
by Alex Franquelli
Complexity can sometimes be considered a form of art in itself and it seldom follows simplicity. Complexity is also impressionism in its purest form. Its faithful depiction of the present may be deemed naïve and unsophisticated, but it remains an unfiltered, pure representation of the being. Less than 20 years ago, Änglagård's albums, Hybris (Mellotronen, 1992) ...
Bobo Stenson Trio: Indicum
by John Kelman
With Cantando (ECM, 2008), Swedish pianist Bobo Stenson finally documented the significant renewal of his quarter-century trio with bassist Anders Jormin. The pair had been playing with Jon Fält since the departure of drummer Jon Christensen in the early 2000s. But if Fält was already touring with Stenson when Goodbye (ECM, 2005) was released, its curious--and ...
Mats Gustafsson: Share The Moment
by John Sharpe
Reedman Mats Gustafsson resides at the center of a hurricane of activity: relentlessly touring, curating festivals and begetting record labels. He boasts one of most distinctive sounds in free jazz, combining the extremes of scalp prickling howls with adventurous exploration of minimalist tone and timbre. Although he's come a long way since his early days in ...
The Opposite: In Action
by Eyal Hareuveni
The Opposite investigates improvisation and interplay through a collective group sound and open approach, assimilating elements of rock and Indian, African and Cuban musical traditions. In Sction documents this Swedish sextet live on a Swedish club tour in 2011. The live setting enable The Opposite to emphasize its formative influences, including early fusion bands like Weather ...
LSD: Trio Colossus
by James Pearse
The stark, somewhat austere cover art of Trio Colossus, from Swedish saxophonist Fredrik Lindborg's LSD trio, belies the warm, rich music it houses.The sultry opening bars of “It Ain't Necessarily So" set the mood for this impressive recording, which features four Lindborg originals and carefully chosen pieces by Duke Ellington, Billy Strayhorn and Swedish ...
Kvintetten Som Sprängdes: Järnet!
by Eyal Hareuveni
Järnet!--the limited edition (300), vinyl-only debut of Gothenburg, Sweden-based Kvintetten Som Sprängdes (The Quintet That Blew Up)--features a unique musical language. Led by Niklas Persson, the saxophonist's compositions reference modern and free jazz heroes from both sides of the Atlantic--including saxophonist Ornette Coleman, reed multi-instrumentalists Eric Dolphy, Anthony Braxton and Evan Parker, and Swedish hero, saxophonist ...
Torben Waldorff: Wah-Wah
by Eyal Hareuveni
Danish-born, Sweden-based guitarist Torben Waldorff takes the leading role on Wah-Wah as main soloist, putting his melodic integrity, and a natural leadership that stresses tight group interplay, up front. All his original compositions feature the guitarist's gift for structuring engaging melodies with rich and sophisticated harmonic patterns and tasteful and economic solos, all varied in moods ...
Lars Danielsson: Liberetto
by John Kelman
With Tarantella (ACT, 2009)--his last studio recording excluding the career-spanning Signature Edition 3 (ACT, 2010) compilation-- Lars Danielsson raised the bar on a string of recordings demonstrating increased evolution on all fronts. If Liberetto doesn't exhibit the same degree of incremental stylistic growth that Tarantella did over previous albums including Pasodoble (ACT, 2007) and Mélange Bleu ...
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