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Vinicius Cantuaria: Vinicius Canta Jobim
by Maurizio Zerbo
Quello di Antonio Carlos Jobim è uno dei songbook più popolari del '900 musicale, qui rivisitato con indubbio estro dal conterraneo Vinicius Cantuaria. Ne discende un Brasile del tutto diverso dai calligrafici omaggi alla bossa nova resi finora. Non mancano però le tracce più aderenti alla più canonica tradizione, con chitarra e strumentazione acustica.
Albert "Tootie" Heath, Ethan Iverson, Ben Street: Philadelphia Beat
by Stefano Merighi
Ottant'anni di fragranza sono quelli di Albert “Tootie" Heath, a giudicare dalla qualità del gioco imbastito in trio con il piano di Ethan Iverson ed il contrabbasso di Ben Street, un gioco giunto alla sua terza e più riuscita mano, votato alle regole non scritte della scuola jazzistica di Philadelphia. Un magistero, quello di Heath, plasmato ...
Kevin Hays: New Day
by Luca Muchetti
Jazz ma ancora più soul e funk segnano il ritorno in studio di Kevin Hays, il quarantasettenne pianista newyorkese che per la Sunnyside licenzia questo piacevole New Day, album da gustare tutto d'un fiato lungo le 12 tracce che, insieme a tanti brani originali, includono anche un paio di cover eccellenti. La parata ...
Duane Eubanks Quintet: Things of That Particular Nature
by Angelo Leonardi
Il più giovane dei fratelli Eubanks è attivo professionalmente dalla seconda metà degli anni novanta ma ha inciso pochissimo a suo nome, preferendo dedicarsi al ruolo di sideman con molti e prestigiosi partner (l'orchestra di Dave Holland, Oliver Lake, Mulgrew Miller, Orrin Evans, Curtis Fuller etc.). Questo è il suo terzo disco da leader, ...
Denny Zeitlin: Riding the Moment
by Dan McClenaghan
The album Switched-On Bach (Columbia Records, 1968), by Walter (now Wendy) Carlos was a seminal introduction to synthesized music. Carlos used the then new MOOG Synthesizer to painstakingly construct the music of Johann Sebastian Bach. Love it or hate it seemed to be the reaction, without much opinion in between. But one thing for certain, the ...
Laszlo Gardony: Life In Real Time
by Dan Bilawsky
Life In Real Time is somewhat unique in that it's in the mold of Laszlo Gardony's previous recordings and a departure from the norm for that pianist of note. And just how is that possible? That's easy to answer: Gardony hews to his norm by working with his longtime trio mates--bassist John Lockwood and drummer Yoron ...
Drums and Piano: Denny Zeitlin and Kasper Tom
by Jakob Baekgaard
The meeting between drums and piano is one of the more rare combinations in jazz, but it is possible to find fine examples of this particular genre. Just think of the encounter between Italian pianist Enrico Pieranunzi and drummer Paul Motian on Flux & Change (Soul Note, 1995) and Australian pianist Mike Nock's collaboration with drummer ...
Benny Green: Live In Santa Cruz
by Mark Corroto
We hope you've made the journey these past thirty plus years with pianist Benny Green. From hotshot young lion to keeper of the jazz flame he has consistently electrified audiences with his live performances. Live In Santa Cruz recorded at the Kuumbwa Jazz Center follows up on a recording he made as bassist Ray Brown's sideman ...
Jeremy Udden - Nicolas Moreaux: Belleville Project
by Glenn Astarita
While housesitting in France, nascent American jazz saxophonist Jeremy Udden unsuspectingly connected with French bassist Nicolas Moreaux via social media, seeking musicians interested in playing a session. And while Udden has previously blended rock, folk and other genres into his repertoire, the twosome shared a joint interest in amalgamating the jazz vernacular with other idioms. Indeed, ...
Jean-Michel Pilc: What Is This Thing Called?
by Budd Kopman
Pianist Jean-Michel Pilc has produced an extraordinary musical document with the release of What Is This Thing Called?. Superficially, the CD is a set of improvisations on Cole Porter's tune “What Is This Thing Called Love?," and it can be listened to in that manner. However, it is really an invitation into Pilc's sound ...
