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By Kenny Barron
Label: Sunnyside Records
Released: 2004
Track listing: So It Seems; Jasmine Flower; Inside Out; The Lost Ones; Hallucinations; Song for Abdullah; Footprints; Marie Laveau; Missy Missy; Images
Time Again: Brubeck Revisited (Volume One)
Label: Sunnyside Records
Released: 2004
Track listing: Blue Rondo a la Turk, Weep No More Tender Woman, For Iola, In Your Own
Sweet Way, Theme for June, Recuerdo, Love and Anger, Darius, Curtain Time
Tony Malaby: Adobe
by AAJ Staff
As he mentioned in last month's issue of All About Jazz-Los Angeles , saxophonist Tony Malaby finds great challenges and rewards from being a jazz musician in New York City, “It's such a wonderful place. I continue to get my butt kicked every week." What ever has not killed him has certainly made him stronger, as ...
Steve Nelson: Fuller Nelson
by Andrew Rowan
This dancing, jubilant recording breaks no new ground, but it beautifully realizes the old-fashioned notion of joy in swinging. The trio makes its way through a program of originals (real melodies, not just notes to get to the blowing) and standards, sans drummer, without missing a beat. “The Second Time Around" begins on tiptoe, ...
Tony Malaby: Adobe
by Jeff Stockton
Tony Malaby is a five-tool saxophonist who can handle standards, ballads, fiery improvisation, delicate abstraction, and sympathetic accompaniment with equivalent skill. He demonstrates the full range of his talents on Adobe, a trio session with bassist Drew Gress and revolutionary drummer Paul Motian. In this setting, there is no true leader as each player alternately moves ...
Chris Potter Quartet: Lift: Live at the Village Vanguard
by Jeff Stockton
Just as you're about to really get into tenor saxophonist Chris Potter's funky unaccompanied solo on “7.5," the rest of the band charges in, led by Kevin Hays on an electric keyboard sounding like a ringing cell phone. It grabs your attention, and the band doesn't let go for the next fifteen minutes, with Hays soloing ...
Kenny Barron: Live at Bradley's
by Samuel Chell
One of a handful of truly great living jazz pianists, Kenny Barron has never sounded better to me on record. After listening to him in this setting, I'm beginning to understand why so many musicians lamented the passing of Bradley's, the Manhattan night spot that featured a grand piano handpicked and donated by Paul Desmond. If ...
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