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505

Article: Album Review

Marilyn Lerner / Ken FIliano / Lou Grassi: Arms Spread Wide

Read "Arms Spread Wide" reviewed by Robert Iannapollo


Canadian pianist Marilyn Lerner has garnered a name for herself as one of the most diverse and exciting pianists to emerge in the last ten years. Best known among her releases is a series of albums with the co-op Queen Mab Trio, with violist Ig Henneman and clarinetist Lori Friedman. But also included in her discography ...

721

Article: Album Review

Byard Lancaster: Sounds of Liberation: New Horizons

Read "Sounds of Liberation: New Horizons" reviewed by Clifford Allen


In the years following saxophonist John Coltrane's death and the related dearth of opportunities to perform and record the New Music stateside, a significant body of musicians relocated to Europe, to ply their art in a more receptive atmosphere. Reedman Byard Lancaster was one of the second wave of American free jazz musicians to relocate to ...

449

Article: Multiple Reviews

William Parker: Temporary & In the Shade of the Sun

Read "William Parker: Temporary & In the Shade of the Sun" reviewed by Kurt Gottschalk


William Parker / Giorgio Dini Temporary Silta 2009 John Blum with Sunny Murray and William Parker In the Shade of Sun Ecstatic Peace 2009 Bassist William Parker is deeply familiar ...

332

Article: Album Review

John Blum: In The Shade Of The Sun

Read "In The Shade Of The Sun" reviewed by Karl Ackermann


Despite his relative anonymity, pianist John Blum has been a New York free jazz fixture for more than a decade. In the Shade of the Sun teams him with ubiquitous bassist William Parker and percussion innovator Sunny Murray. Blum and Murray work well together, having established their musical relationship in Murray's trio and on Perles Noires ...

433

Article: Multiple Reviews

High Octane Free Improv: Adam Caine Trio & Vinny Golia/Damon Smith/Weasel Walter

Read "High Octane Free Improv: Adam Caine Trio & Vinny Golia/Damon Smith/Weasel Walter" reviewed by Clifford Allen


History paints an image of high energy rock music and free improvisation as having very little to do with one another--which isn't surprising considering the fact that heavily-amplified rock power trios were marketed as improvisation-heavy blues for mostly white audiences (giving saxophonist Albert Ayler short shrift). When jazz musicians like drummer Tony Williams and guitarist John ...

640

Article: Live Review

Joe McPhee at Cafe Oto, London

Read "Joe McPhee at Cafe Oto, London" reviewed by John Sharpe


Joe McPhee Cafe Oto London, England December 11, 2009 When the eerie vocalized wail first manifested itself, the audience was left looking for the source. But it quickly became apparent that, even though his facial expression didn't betray the burden, saxophonist Joe McPhee was generating the noise at ...

Album

Sunny Murray: Big Chief

Label: Unknown label
Released: 2009

691

Article: Profile

Ambrose Jackson

Read "Ambrose Jackson" reviewed by Andrey Henkin


[Ed. Note: We are saddened to report that Mr. Jackson succumbed to a five-year battle with prostate cancer prior to publication of this article.] In the jazz world, an enormous amount of credence is given to the musician who appears on, to use the parlance, “countless sessions." Yet this ignores circumstances that can ...

206

Article: Album Review

Revolutionary Ensemble: Vietnam

Read "Vietnam" reviewed by Jerry D'Souza


The seeds for the Revolutionary Ensemble were sown when Sunny Murray introduced violinist Leroy Jenkins to Sirone. The two found common musical ground that took off from several genres and became encapsulated in one body. At first they worked with Frank Clayton, but the drummer was ultimately replaced by Jerome Cooper. Vietnam is the group's first ...

800

Article: Extended Analysis

Bobby Bradford: With John Stevens and the Spontaneous Music Ensemble

Read "Bobby Bradford: With John Stevens and the Spontaneous Music Ensemble" reviewed by Clifford Allen


Bobby Bradford With John Stevens and the Spontaneous Music Ensemble Nessa Records 2009 In the instances that European and American improvisers have commingled and produced concerts and recordings, especially in the halcyon days of European free improvisation (the 1970s), a significant number of these situations resulted from expatriation. And it's ...


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