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Sue Rynhart at The Cresent Arts Centre

by Ian Patterson
Sue Rynhart The Crescent Arts Centre Belfast, N. Ireland September 7, 2017 Beatroot, Moving On Music's folk 'n' roots music festival, returned for its third annual outing with a typically eclectic line-up that embraced contemporary folk music of the broadest possible spectrum. With almost as much cross-genre pollination in folk ...
The Hot 8 Brass Band: On the Spot

by Chris M. Slawecki
On the Spot celebrates the fifth album and twenty year history of The Hot 8 Brass Band, the first American band signed by UK-based Tru-Thoughts Records. Like their New Orleans hometown, The Hot 8 knows tragedy, from Hurricane Katrina to the separate deaths of five bandmates, yet triumphantly and fiercely embody the Dionysian energy and gospel ...
Groovin’ Hard In Every Style

by Chris M. Slawecki
Big Mean Sound Machine Runnin' for the Ghost Peace & Rhythm | Blank Slate Records 2017 On Runnin' for the Ghost, Big Mean Sound Machine sounds intent on obliterating every imaginable musical border: the lines between regional or geographic styles, the divide between acoustic and electronic instruments, the ...
Ronnie Foster Trio at Nighttown

by C. Andrew Hovan
Although he came along at the end of an era in terms of the popularity of jazz organ, Ronnie Foster has led a varied and colorful career having studied with the iconic Jimmy Smith and worked with a wide variety of artists including George Benson, David Sanborn, Stevie Wonder, Stanley Turrentine, and Djavan. Currently leading his ...
SFJAZZ Collective: Live: SFJAZZ Center 2016 - Music of Miles Davis & Original Compositions

by John Kelman
In the thirteen years since the SFJAZZ Collective first came together in February 2004, this revolving door octet (septet, in 2009) of cream of the crop" US-based jazz musicians has, most years, followed a consistent modus operandi: select a well-known jazz (and, in two cases, beyond jazz) musician and pay tribute through innovative arrangements of his/her ...
Peter Dominguez: Groove Dreams

by Dan Bilawsky
Groove Dreams resonates on a number of levels. In the most obvious sense, it's a testament to the skill, imagination, and resourcefulness of bassist Peter Dominguez, an artist who operates with a profound depth of understanding in both formal and creative realms. But it's also a link to the relationship that Dominguez formed with bass icon ...
L'ultimo hipster. La vita e la musica di Mark Murphy

by Angelo Leonardi
Non trovate accenni a Mark Murphy nelle più recenti storie del jazz, neanche il nome. Una lacuna che appare inspiegabile (a differenza di Frank Sinatra, Mel Tormè e Tony Bennett) che si giustifica solo col ritardo a collocare il cantante di Syracuse in una prospettiva storica. Eppure già prima della sua scomparsa -il ...
Tom Rizzo: Day and Night

by Jack Bowers
The names in guitarist Tom Rizzo's starting lineup on Day and Night indicate that this is a West Coast-based group, an observation that is borne out in Rizzo's bio, which says he is active [on] the Los Angeles music scene" and served as guitarist for the Tonight Show band when Jay Leno was at the helm, ...
Steve Khan: Backlog

by Mark Sullivan
Latin jazz has rarely featured the guitar, but that hasn't stopped Steve Khan. Backlog continues in the vein of previous albums including Parting Shot (Tone Center, 2011) and Subtext (Tone Center, 2014): creative Latin arrangements of Great American Songbook standards and modern jazz tunes that are rarely played in Latin style (or in any style, in ...
Greg Skaff: Soulmation

by Dan Bilawsky
Guitarist Greg Skaff is all about the grease, grit, and grooves on Soulmation. It's a logical extension of his previous work--guitar-fronted organ group dates like East Harlem Skyline (Zoho Music, 2009) and 116th & Park (Zoho Music, 2012)--but it's a tad heavier, raunchier, and funkier than anything Skaff threw us on those records. His approach here ...