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Brian Krock: Advocating for True Value in Humanity
by Leo Sidran
Musician, bandleader-arranger-composer, and YouTuber Brian Krock on the role of critical analysis in music, the “unintended consequences of the capitalist nature of music education," what it means to improvise as a composer, how reading James Joyce influenced his relationship to listening to and writing music and led him to “create artwork that invites people to put ...
Hans Ulrik & Anders Mogensen: The Meeting with Steve Swallow
by Thomas Fletcher
The partnership between Danish saxophonist Hans Ulrik and American bassist Steve Swallow can be traced back to the late '90s when they toured Europe and recorded three albums including Tin Pan Aliens (Stunt Records, 2005). Meanwhile drummer Anders Mogensen's collaboration with Swallow also began in the '90s, his busy calendar saw him perform alongside musicians such ...
My Early Years With Bill Evans, Part 3
by Chuck Israels
Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
My Early Years with Bill Evans, Part 2
by Chuck Israels
Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...
Federica Michisanti Horn Trio: Jeux De Couleurs
by Angelo Leonardi
Il fermento creativo dell'Horn Trio di Federica Michisanti (con Francesco Bigoni al clarinetto/sax tenore e Francesco Lento alla tromba/flicorno) compie nuovi passi avanti. L'estetica di fondo è ovviamente in sintonia con il precedente Silent Rides e in parte con Isk (Filibusta Records, 2016), registrato col sassofonista Matt Renzi e il pianista Simone Maggio. Alla libertà armonica ...
Steve Swallow Interview
by Mike Brannon
From the 1995-2003 archive: This article first appeared at All About Jazz in January 2001. Steve Swallow may not be a household name, at least in most households, but if you've listened to contemporary jazz over the last thirty years, you've likely heard him on one side of the studio glass or the other. ...
Meet Steve Swallow
by Craig Jolley
From the 1995-2003 archive: This article first appeared at All About Jazz in October 2000. Touring this summer As is often the case I've been touring Europe during the dreaded festivals. I did the July circuit with a band of [drummer] Bobby Previte's called Bump the Rennaissance which also contains [trombonist] Ray Anderson, [reed ...
Meet Carla Bley
by Craig Jolley
A Genuine Tong Funeral (RCA). 1967 record by Gary Burton quartet with orchestra; music composed and arranged by Bley. It was my first big break. After the Funeral I did quite a few big projects. After all this time it's going to be performed next March at Iowa State University. The faculty of the music department ...
John Scofield: Swallow Tales
by Ian Patterson
It was Gary Burton who brought Steve Swallow--with electric bass in tow--into the teaching ranks of the Berklee College of Music in the early 1970s. Burton had already introduced Swallow's songs to the students, one of whom, a fresh-faced John Scofield, would go on to play and record with both men. Scofield and Swallow's musical partnership ...
