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1,102

Article: Interview

Sam Stephenson: A "Loft-y" Vision of Jazz

Read "Sam Stephenson: A "Loft-y" Vision of Jazz" reviewed by Victor L. Schermer


When, in 1997, writer, scholar, and archivist Sam Stephenson serendipitously came across audio tapes, photographs and other documents involving jazz musicians congregating in photographer W. Eugene Smith's Manhattan loft in the late 1950s and early 1960s, he was surprised as anyone. The wall of cartons had been unopened since before Smith's death in 1978. Stephenson and ...

329

Article: Album Review

Clogs: The Creatures in the Garden of Lady Walton

Read "The Creatures in the Garden of Lady Walton" reviewed by John Kelman


With the digital-only EP, Veil Waltz (Brassland, 2010), neoclassicist quartet Clogs announced that it was back in action after a lengthy hiatus. But that brief collection, largely written for film, was really only a taste-whetter for The Creatures in the Garden of Lady Walton, Clogs' first full-length CD since Lantern (Brassland, 2006). Like Veil Waltz, Lantern ...

965

Article: Interview

Julius Vasylenko: Seeing Stars

Read "Julius Vasylenko: Seeing Stars" reviewed by Gordon Marshall


Julius Vasylenko has earthy charisma. Because of his accent, people who come into his purlieu immediately assume an association with elite British improvisers. “Did he hang with Derek Bailey?" they wonder...I could say Vasylenko, a multi-reed and saxophonist now based in Boston, was John Butcher's and Evan Parker's kid brother. However, it ...

232

Article: Album Review

Ergo: Multitude, Solitude

Read "Multitude, Solitude" reviewed by John Kelman


As jazz leans away from characteristics that so defined its earliest days, groups are emerging with unorthodox instrumental combinations, fleshed out by the vast potential of technological soundscaping. Ergo, at its core, seems as unconventional as they get--trombone, keyboards, drums--creating music that wouldn't have been possible before relatively recent innovations in sound processing and sampling/looping. Its ...

321

News: Award / Grant

House Honors Miles Davis' "Kind of Blue"

House Honors Miles Davis' "Kind of Blue"

WASHINGTON (AP) -- Fifty years after jazz legend Miles Davis recorded Kind of Blue, the House voted Tuesday to honor the landmark album's contribution to the genre. Davis collaborated on the record with saxophonists John Coltrane and Julian “Cannonball" Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Rep. John Conyers, ...

890

Article: Extended Analysis

Grand Valley State University New Music Ensemble: In C Remixed

Read "Grand Valley State University New Music Ensemble: In C Remixed" reviewed by John Kelman


It's not only one of minimalism's early classics, but Terry Riley's seminal “In C," composed in 1964, could also be described as an early foundation for the modern concept of remix. 53 musical fragments--as brief as three notes and as long as 18--are performed by an ensemble of no fixed size; the only instructions being to ...

257

Article: Album Review

Terry Plumeri: Water Garden

Read "Water Garden" reviewed by John Kelman


With the compelling, largely free-blowing 1971 session He Who Lives In Many Places (GMMC Records) finally issued on CD in 2006, Water Garden rights a similar wrong for Terry Plumeri, an overlooked bassist if ever there was one. Recorded five years later, Water Garden was an even more ambitious date that brought back guitarist John Abercrombie ...

361

Article: Extended Analysis

Daniel Bennett Group: The Legend Of Bear Thompson

Read "Daniel Bennett Group: The Legend Of Bear Thompson" reviewed by AAJ Staff


Daniel Bennett GroupThe Legend Of Bear ThompsonBennett Alliance2008Acoustic guitar and alto saxophone form a key part of Boston saxophonist Daniel Bennett's musical recipe, and the combination informs the pleasingly melodic The Legend Of Bear Thompson. The lineup is Bennett on alto saxophone and flute, Brant ...

426

Article: Album Review

Garage A Trois: Power Patriot

Read "Power Patriot" reviewed by Mark Corroto


The music of Garage A Trois is located somewhere on the map between do-it-yourself punk fusion and hip-hop jamband. The current lineup replaces guitarist Charlie Hunter, heard on Outre Mer (Telarc, 2006) and Emphasizer (Tone Cool, 2003), with keyboardist Marco Benevento. The effect is to push the music more towards saxophonist Skerik's prior efforts in the ...

1,488

Article: Interview

John Law: Deeper into the Music

Read "John Law: Deeper into the Music" reviewed by Jakob Baekgaard


Classical music and jazz are often perceived as two radically different art forms that cannot be merged. Historically, the idea of a so-called “third stream" that is able to combine the language of jazz and classical music into a coherent whole has proved rather difficult to translate into praxis, and yet it is undeniable that a ...


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