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Something old, something new, something reissued, something Brötzmann blew.

by Mark Corroto
Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...
Nicole Mitchell/Tomeka Reid/Mike Reed: Artifacts

by Hrayr Attarian
Flutist Nicole Mitchell, cellist Tomeka Reid and drummer Mike Reed are three of the most prominent members of the third generation of Association for Advancement of Creative Music (AACM). Each one is a consummate musician; equally adept at composing and improvising. Each one of them has forged their boldly unique artistic path with an instantly recognizable ...
AACM - The Association of the Advancement of Creative Music

by Hrayr Attarian
The Association of the Advancement of Creative Music (AACM) was created 50 years ago in Chicago to give voice to adventurous African American musicians and to express the political turmoil of the era. As this is the anniversary year of this revolutionary collective here are ten essential classic AACM recordings that belong in any collection, regardless ...
Three Shots from Siwula: Blaise Siwula & NoFrillsMusic

by Jakob Baekgaard
The emergence of free jazz in the 1950s and 1960s pioneered a new way of thinking about music that not only affected the way music sounded, but also the way it was shared and distributed. In many ways, free jazz was a movement away from mainstream and mass-distribution and the rediscovery of music as art, but ...
Gavin Templeton Trio: Some Spinning, Some At Rest

by Robert Bush
LA alto saxophonist Gavin Templeton's sophomore release as a leader, Some Spinning, Some At Rest represents the values of composition and free-improvising with equal fervor and expertise, and alongside double-bassist Richard Giddens and drummer Gene Coye, Mr. Templeton has documented one of the finest saxophone trio recordings in recent memory. Templeton's soulful, ...
Henry Threadgill: Very Very Threadgill 2014

by Kurt Gottschalk
Henry Threadgill Harlem Stage Gate House Very Very Threadgill New York, NY September 27-28, 2014 Henry Threadgill isn't one to repeat himself. In nearly 40 years of recording, he's only repeated a few compositions. So why would a retrospective of his work by a mere recapitulation? Very Very Threadgill--held ...
Steve Swell: Unlimited Musical Possibilities

by Victor L. Schermer
"Free Jazz" and Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is ...
1032K: That Which Is Planted

by Hrayr Attarian
The intrepid and original trio 1032K (the temperature at which the laws of physics no longer apply) is comprised of three versatile and singularly artful musicians who share a common creative vision. Their phenomenal That Which is Planted is a stimulating glimpse at this collaboration recorded live in Buffalo and Rochester, New York. The group radically ...
Frank Lacy: That Which Is Planted

by Mark Corroto
The real reason the revolution will not be televised (with apologies to Gil Scott Heron) is that the sound of the revolution is free jazz. While those street fighting men are satisfied to throw rock music up against the wall, the real uprising is music of bands like 1032K. With roots in the streets and lofts ...
Boom Box: Jazz

by Henry Smith
Free jazz can have some fairly antisocial connotations. Too often, the term raises an undeserved fear in the uninitiated, as freedom can be scary. That hardly necessitates that it lack beauty, lyricism or intimacy, however; it simply means that those traits are arrived at by organic means rather than controlled ones. Few artists ...