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277

Article: Album Review

Sam Newsome: Blue Soliloquy

Read "Blue Soliloquy" reviewed by C. Michael Bailey


The soprano saxophone is one mean mistress; temperamental, demanding, and unforgiving. Few have mastered her, with Sidney Bechet, John Coltrane, and Steve Lacy coming to mind. Saxophonist Sam Newsome,late of the Terence Blanchard Quintet, has stepped up to provide his Das Wohltemperierte Klavier of the instrument in Soliloquy--Solo Works for Soprano Saxophone. Strongly recalling Bobby Watson's ...

304

Article: Album Review

Omri Ziegele’s Where’s Africa Trio: Can Walk On Sand

Read "Can Walk On Sand" reviewed by Nic Jones


This could almost be a band “on a hiding to nothing" considering it self-consciously mines the seam of vibrant music first tapped by the likes of Chris McGregor and Harry Miller. Given the fact that it's only a trio, it's inevitable perhaps that the group lacks the sheer sonic impact of McGregor's much larger bands, but ...

932

Article: Interview

Chris Jentsch: Cycles and Reflecting on the Journey

Read "Chris Jentsch: Cycles and Reflecting on the Journey" reviewed by Ludwig vanTrikt


John Coltrane once said, “Let the music speak for itself." The guitarist/composer and band leader Christopher Jentsch adds an interesting twist on that subject by opting to describe himself when asked about the broader subject of how to capture his music in his own words. “I think of myself as a composer/guitarist working with contemporary improvisational ...

684

Article: Live Review

Alexander Hawkins Quartet at the Vortex, London

Read "Alexander Hawkins Quartet at the Vortex, London" reviewed by John Sharpe


Alexander Hawkins Quartet The Vortex London, England January 5, 2010 A very respectable audience braved the cold temperatures (for London where since global warming kicked in it rarely falls below freezing for very long) and further impending snow for the debut of the Alexander Hawkins new quartet at ...

360

Article: Album Review

Chad Eby: Broken Shadows

Read "Broken Shadows" reviewed by Mark Corroto


Attention grabbing music these days is either accomplished by the loudest voice (American Idol anybody?) or the rudest performance. While not saying jazz has descended to that level, certainly the squeakiest wheel often gets the most attention. Then again, hearing a genuine voice like saxophonist Chad Eby reaffirms the instinct that an authoritative performance from a ...

895

Article: Book Review

Herbie Nichols: A Jazzist's Life

Read "Herbie Nichols: A Jazzist's Life" reviewed by Raul d'Gama Rose


Herbie Nichols: A Jazzist's Life Mark Miller Soft cover; 224 pages ISBN: 978-1-55128-146-0 The Mercury Press 2009 Although he is considerably better known and respected today than he was in his lifetime, pianist Herbie Nichols and his spectacularly original music remains relatively obscure. This is one ...

Album

Let's Call This... Esteem

Label: SILTA Records
Released: 2009
Track listing: 1. Introduction and Let’s Call This… (T. Monk) - 7:03; 2. Monk’s Dream (T. Monk) - 5:25; 3. In a Sentimental Mood (Ellington/Kurtz/Mills); 4. Snake Out (Waldron) - 14:00; 5. Blues for Aida (Lacy) - 7:26; 6. Johnny Come Lately (B. Strayhorn) - 6:53; 7. What Is It (Waldron) - 9:06; 8. Evidence (T. Monk) - 6:56; 9. Epistrophy (T. Monk) - 5:18; 10. Esteem (Lacy) - 7:50.

Album

The Forest and the Zoo

Label: ESP-Disk
Released: 2009
Track listing: Forest; Zoo.

136

Article: Album Review

Uwe Oberg / Christof Thewes / Michael Griener: Lacy Pool

Read "Lacy Pool" reviewed by Glenn Astarita


Three well-versed European progressive-jazz denizens impart a rather majestic blend of song-form and improvisation when covering the late, great soprano saxophonist Steve Lacy's discography. Approaching this album from a mindset that eliminates comparisons to Lacy's original performances lent to a more appropriate route for the listening experience. Without a saxophonist and bassist, the piano-trombone-drums ...

691

Article: Profile

Ambrose Jackson

Read "Ambrose Jackson" reviewed by Andrey Henkin


[Ed. Note: We are saddened to report that Mr. Jackson succumbed to a five-year battle with prostate cancer prior to publication of this article.] In the jazz world, an enormous amount of credence is given to the musician who appears on, to use the parlance, “countless sessions." Yet this ignores circumstances that can ...


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