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Cold Fusion: The Search for the Jazz/Rock Unicorn, Part 2
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 Part 2: Steely Dan's AjaI ended the first part of this series with the question that prompted these articles: Why is there so little music that genuinely fuses two styles together and does so in a way that maintains the integrity of the stylistic contributors?" I ...
Jim Beard / Jon Herington: Chunks And Chairknobs
by Mike Jacobs
The seeds for Chunks and Chairknobs were planted for guitarist Jon Herington and pianist Jim Beard a few years prior to its recording, while they were on a break from their touring duties with Steely Dan. The two took the opportunity to do something they had never done over the course of their 40 plus-year friendshipwork ...
Lica Cecato: Call Porter
by Angelo Leonardi
Quelle di Cole Porter restano alcune delle composizioni più raffinate e avvincenti del classico songbook statunitense e hanno avuto migliaia di versioni stilisticamente diverse nella popular music e nel jazz. Come recita il sottotitolo del disco, questa distorsione temporale nella musica di Cole Porter" è una delle riletture più eccentriche. I leader sono ...
About Steely Dan
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Steely Dan
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Steely Dan has been more of a conceptual framework for inventive music-making than a typical rock band. Spearheaded by a pair of resourceful musical auteurs Donald Fagen and Walter Becker - they have done nothing by the books since launching Steely Dan in 1972. The band’s very name is a scatological reference from a novel by Beat Generation anti-hero William Burroughs. Though Steely Dan recorded prolifically for much of the Seventies, they toured for only a brief spell early in that decade, deciding they much preferred the studio to the road. This allowed them to craft a wry, nuanced and hyper-literate series of albums - seven in all, released from 1972 to 1980 - that are highly regarded by connoisseurs of pop hooks, jazz harmony and desiccating wit. Beneath the highly polished surface of Steely Dan’s music, astute listeners could hear a visceral love of and identification with the very soul of jazz
Pete Brown: White Rooms & Imaginary Westerns, Part 2
by Duncan Heining
Part 1 | Part 2 1966 was an important year in British popular music. Bob Dylan, performing with the Hawks, was booed for going electric" at Manchester Free Trade Hall. The Rolling Stones topped the charts for the first time with Paint It Black." The Beatles, fresh from the John Lennon Bigger than Jesus" ...
Amanda Addleman: Into the Light
by Jerome Wilson
There are a lot of young singers around whose music draws equally from the fluidity of jazz and the confessional focus of the singer-songwriter genre. San Francisco's Amanda Addleman is one of those. This CD mixes personal original songs with standards and she delivers both with a deceptively light but powerful voice and understated passion.
Groundup Music Festival Reveals Artist Brunches, Cocktails And Workshops
Acclaimed by the New York Times as one of the “Top 10 Definitive Moments of the Decade in Jazz Music,” the GroundUP Music Festival returns to the oceanside North Beach Bandshell in sunny Miami Beach, Florida, February 14-16, 2020. Hosted by three-time Grammy award-winning collective Snarky Puppy, GroundUP has announced the schedule for their intimate cocktails ...
Mark Lettieri: Snarky Guitars, Part 1
by Mike Jacobs
Part 1 | Part 2 | Part 3 For the first interview in a series on the Snarky Puppy guitar triumvirate, we spoke to Mark Lettieri. Unlike most of the original core members of the band, Lettieri did not come out of the jazz program at the University of North Texas. Oddly enough, he ...
Lauren Lee: Windowsill
by Jerome Wilson
Lauren Lee is a talented pianist and composer, and a singer with a flexibility and sense of adventure in her voice which give her music a light, optimistic feel, although repeated listening reveals it has surprising depth and complexity. She brings elements of art song into the realm of pop-jazz as if she were Meredith Monk ...
Bob Sheppard: The Clark Kent of Jazz
by Jim Worsley
An unassuming bespectacled man in his mid-sixties walks on to the stage. In a band with stellar, famous, and maybe flashier musicians, one could be forgiven if they didn't even notice him right away. But as soon as Bob Sheppard presses a saxophone, clarinet, or flute onto his lips, he is super, man! An incredible musician ...


