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Dorothy Ashby: Afro-Harping Deluxe Edition
by Chris May
There are certain instruments that struggled for attention in the years when the jazz ecology was an overwhelmingly male preserve--or rather, when many men perceived jazz to be a male preserve, and a heterosexual, alpha male one at that. Exhibit A, the flute, was described by one leading male alto saxophonist, a near contemporary of Charlie ...
Mere Noisemakers
by Troy Hoffman
Drummers used to be predominantly known as mere noisemakers (not musicians) coming out of the Vaudeville-era, where percussionists were seen as background tools. They often carried out sound effect cues, sent from studios to theaters, for silent films. This left drummers with the responsible task of mimicking the sounds of hurricanes, car crashes and thunderstorms from ...
Ron Carter: Anything Goes
by Arnaldo DeSouteiro
Ronald Levin Carter (born Ferndale, Michigan, on May 4, 1937) needs no introduction. Let's just say that he is the bassist's bassist. On Ron's hands, the bass and the man become the same entity, the same person. Played by Ron Carter, the acoustic bass sounds like... Ron Carter! That's why he is one of the three ...
CTI Acid Jazz Grooves by Various Artists
by Arnaldo DeSouteiro
The CD you are holding in your hands is a very special compilation. It's the celebration of CTI as one of the most “sampled" labels on Earth! For the past ten years, many CTI tracks have been cut up, sampled, scratched and looped to create new songs for a new audience. Many of the selections on ...
Take Five With Mandolinist Joe Brent
by AAJ Staff
Meet Joe Brent Called, “one of the truly exceptional musicians of his generation," a mandolinist about whom it has been said, “there has never been a mandolinist with greater technical skills," and a composer whose music, “touches and communicates the essence of what it means to be an alive, feeling human being," Joe Brent has forged ...
John R. Lamkin II: Movin'
by Karl Ackermann
Movin' from John Lamkin II, and The Favorites Jazz Quintet, marks only the third album in a career that has spanned four decades. The trumpeter and composer is a native of Atlantic City, New Jersey, and had his first taste of jazz on Kentucky Avenue before casinos took over that space. Before joining the University of ...
Vasilis Xenopoulos Paul Edis Quartet: Feels Like Home
by Neil Duggan
The various meanings of home are the themes behind Feels Like Home--somewhere to belong to, a place to rejoin loved ones, a birthplace. This is the second album from Vasilis Xenopoulos and Paul Edis. They began playing together 20 years ago, when they both relocated to London to study. It follows on from A Narrow Escape ...
Tony Monaco Trio: Over and Over
by Pierre Giroux
Tony Monaco's latest album Over and Over is a journey into the world of jazz funk propelled by the timeless Hammond B-3 organ. With Monaco at the helm and accompanied by guitarist Zakk Jones and drummer Reggie Jackson, this trio embarks on a program of seven Monaco originals that are both compelling and undeniably funky.
Tony Monaco Trio: Over and Over
by Nicholas F. Mondello
B-3. The organ model resonates with jazz fans as something musically profound which fundamentally hits in the soul. Perhaps it is the Gospel and church roots or the list of greats in the jazz organ pantheon--Jimmy Smith, Jack McDuff, Dr. Lonnie Smith, Shirley Scott, et al. Now that Joey DeFrancesco has left us, there is a ...
Can You Judge an Album By Its Label?
by Dave Hughes
This article was first published at All About Jazz in March 1999. For almost as long as there have been record labels, many labels have sought to build a reputation or a brand identity for themselves in terms of the genre of music presented on their labels or the technical quality of their product. ...
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