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5

Article: Album Review

Howard Riley / Keith Tippett: Journal Four

Read "Journal Four" reviewed by John Sharpe


British pianists Howard Riley and Keith Tippett were seasoned proponents of the never widespread format of the piano duet, both together and apart. Riley's partners also included Jaki Byard as well as overdubbed sessions with himself, while Tippett's discography contains entries with Stan Tracey, Daryl Runswick and Matthew Bourne (though the last took place subsequent to ...

5

Article: Album Review

Henry Lowther's Quarternity: Never Never Land

Read "Never Never Land" reviewed by Chris May


The British trumpeter and composer Henry Lowther, who first made an impact in the 1960s and released the well received album Can't Believe, Won't Believe (Village Life) in 2018, came to jazz via a circuitous route. After playing cornet in a provincial Salvation Army band, he moved to London around 1960 to study violin at the ...

5

Article: Album Review

Dave Green Trio plus Evan Parker: Raise Four

Read "Raise Four" reviewed by Duncan Heining


Bassist Dave Green recorded this set for the BBC Radio 3 programme Somethin' Else in 2004. In the interview included here with the show's presenter Jez Nelson, Green reflects on a forty year career in jazz. It is fitting that this fine record, only his fourth as leader, sees its release in the year Green marks ...

1

News: Recording

Stan Tracey Trio: The 1959 Sessions

Stan Tracey Trio: The 1959 Sessions

As admired and as influential as Thelonious Monk's piano playing was, his fascinating, jagged style wasn't often imitated. Monk's original compositions, however, were quick to become jazz standards and were played and recorded nearly as often as songs by Duke Ellington and Billy Strayhorn. But unlike Bud Powell, whose piano style was incorporated by many artists, ...

6

Article: Album Review

Stan Tracey Trio: The 1959 Sessions

Read "The 1959 Sessions" reviewed by Chris May


Sonny Rollins summed up the outsize talent of British pianist Stan Tracey in a remark he made sometime in the early 1960s. Tracey was then the house pianist at Ronnie Scott's Jazz Club, where Rollins was playing a season. “Does anyone over here realise how good this guy is?" Rollins asked the audience. ...

Album

Inclusivity

Label: Jazz In Britain
Released: 2021
Track listing: Disc One: Live At The 100 Club Set 1: Phase 1 – 5. Disc Two: Live At The 100 Club Set 2: Phase 6 – 8; Encore. Disc Three: Live At Grass Roots: Phase 1 – 6.

7

Article: Album Review

Splinters: Inclusivity

Read "Inclusivity" reviewed by Chris May


Archive label Jazz In Britain comes up with another winner. Inclusivity is a 3 x CD collection of the complete performances of Splinters, an all-star 1972 septet comprising three hard boppers, two radical experimentalists and two in-betweeners. They were tenor saxophonist and flautist Tubby Hayes, alto saxophonist Trevor Watts, trumpeter and flugelhornist Kenny Wheeler, pianist Stan ...

1

News: TV / Film

Documentary: Stan Tracey

Documentary: Stan Tracey

Little-known in America but a jazz force in the U.K., Stan Tracey was a British pianist who was highly influenced by Duke Ellington and Thelonious Monk. Tracey's keyboard attack was stormy, percussive and deeply felt, but he also could play straight-ahead jazz and worked and recorded with Ted Heath for years. He also was the house ...

5

Article: Radio & Podcasts

England vs. Italy: A Jazz Re-match, First Half

Read "England vs. Italy: A Jazz Re-match, First Half" reviewed by Ludovico Granvassu


A few days ago, England and Italy faced each other in the finals of the European Soccer Cup. It was a compelling match with a nail-biting end between two teams that exceeded expectations and that promise to have a brilliant future. Italy won in a penalty shootout because in sports--especially in the finals of a tournament--there ...

6

Article: Album Review

Don Rendell / Ian Carr Quintet: Blue Beginnings

Read "Blue Beginnings" reviewed by Chris May


Summer 2021 is proving to be the summer British jazz delved into its mid 1960s through mid 1970s album back catalogue and previously unreleased tape archive, with both major and specialist labels such as Jazz In Britain joining in the party. The spur to action is, of course, the new and unprecedented popularity of British jazz ...


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