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Eddie Marshall: Search and Recall
by Josep Pedro
Legendary drummer and composer Eddie Marshall has been kicking hard for more than 50 years. He has played in R&B bands and in different types of jazz combos, in collaboration with musicians including Bobby Hutcherson, Kenny Burrell, Dexter Gordon, Stan Getz, The Pointer Sisters and Dionne Warwick, among others. Furthermore, he's recorded his own music [Holy ...
Arild Andersen: Green Into Blue - Early Quartets
by John Kelman
He's one of Norway's Big Four"a group of artists who, with the assistance of the emerging ECM label in the early 1970s, kick-started international focus on the music from a country that, despite its relatively small population, has become a truly vital force in the evolution of jazz over the past 40 years. Alongside saxophonist Jan ...
Jazzhus Montmartre: The Legend Continues
by Jakob Baekgaard
To jazz listeners around the world, the word Montmartre" has a very special meaning. It is a word that conjures an image, not of French cafés and bohemian painters, as one might expect, but of an intimate little jazz venue in the middle of Copenhagen which once attracted some of the very best jazz musicians in ...
Fred Hersch Pocket Orchestra: Live at Jazz Standard
by Ken Dryden
Fred Hersch has amassed an impressive discography since his arrival on the jazz scene in the '70s. In addition to stints with Stan Getz, Art Farmer and Toots Thielemans, and numerous appearances as a sideman, the pianist has recorded over two dozen albums as a leader, co-leader or solo performer, as well as composing extensively. Hersch, ...
Larry Willis: Reaching and Teaching
by Russ Musto
In a career spanning five decades, Larry Willis has amassed one the most impressive resumes in jazz, including tenures with Jackie McLean, Hugh Masekela, Joe Henderson, Woody Shaw, Stan Getz, Carla Bley, Roy Hargrove, Jimmy Cobb's So What Sextet and Jerry Gonzalez and the Fort Apache Band, testifying to the high esteem in which he is ...
Brandon Wright: Boiling Point
by C. Michael Bailey
The first thing conspicuous about Brandon Wright's recording Boiling Point is his rhythm section, composed of pianist David Kikoski, bassist Hans Glawischnig and drummer Matt Wilson. A second curiosity is exactly who this precocious young saxophonist is to have such a rhythm section. Wright, the 2009 ASCAP Foundation Young Jazz Composer award recipient originally from Woodcliff ...
Peter Nero and the Philly Pops Celebrate the Music of the “Greatest Generation”
by Victor L. Schermer
Philly Pops Orchestra Revisits The Stage Door Canteen"Peter Nero, Artistic Director Lynn Roberts, featured vocalistThe Kimmel Center for the Performing ArtsPhiladelphia, PA March 27, 2010 Why a concert review of the popular music of World War II on a jazz-focused website? The very question suggests how misguided it ...
Ralph Lalama: Steppin' Out, Steppin' Forward
by R.J. DeLuke
Ralph Lalama's rich tenor saxophone voice has been heard for years on the New York City scene, perhaps most notably with the Vanguard Jazz Orchestra and its predecessors, first led by Thad Jones and Mel Lewis, and later by just Lewis. He's a guy who grew up when rock music was fully bursting on the American ...
Nelson Veras: Solo Session Vol. 1
by Jeff Dayton-Johnson
Guitarist Nelson Veras's considerable sideman experience has favored the acoustic instrument--a highlight is his mild-mannered straight man to Manu Codjia's volatile electric guitar on Christophe Wallemme's fine large-ensemble Namaste (Bee Jazz, 2006).The relationship between Veras's playing and classic Brazilian guitar--Hélio Delmiro, João Gilberto, Bola Sete--is like that between James Blood Ulmer's playing and the ...
Great Vibes: Nova NOLA and The Wee Trio
by J Hunter
Despite the current iteration of the Jazz is Dead" riff, it is impossible to throw a rock without hitting one of the music's latest wave of horn players, reed players, keyboardists, bassists or drummers. The one area that lacks ground-breaking new personnel in 2010 is mallets" (vibraphone and marimba), although every recent generation has had its ...





