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Ornette Coleman: Sound Grammar
by Clifford Allen
It's been a decade since the last bounty of Ornette recordings. 1995-96 saw releases from his free-funk mélange Prime Time; a robust quartet with pianist Geri Allen and bassist Charnett Moffett; and duets with pianist Joachim Kühn, a German free music architect. Indeed, the past three decades have seen an inordinate amount of change for Coleman's ...
Ornette Coleman: Sound Grammar
by AAJ Italy Staff
Di fronte a quello che in genere - forse troppo spesso - viene definito ‘evento discografico’ sarebbe sempre bene mantenere un certo distacco. Diffidare delle roboanti presentazioni, per non rischiare di appiattire il proprio ascolto su piani tracciati da altri per altri meno nobili scopi. Perché di ‘evento discografico’ indubbiamente qui si tratta. Una nuova registrazione ...
Ornette Coleman: Sound Grammar
by Dan McClenaghan
In the beginning of free jazz, there was Ornette Coleman. Actually, the alto saxophonist was the beginning of free jazz. His 1959 Atlantic recording The Shape of Jazz to Come followed on the heels of a couple of innovative smaller label outings that didn't make a splash at the time. Many musicians have followed Coleman down ...
