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The PVR-Jazz Quartet pays homage to legendary saxophonists on debut album
If the PVR-Jazz Quartet's Jake Epstein could have his own Field of Dreams, he'd probably fill it with the saxophone legends of his youth, icons like Cannonball Adderley, Sonny Stitt, Charlie Parker, and Johnny Hodges. They are among the ghosts who haunt the PVR-Jazz Quartet's debut album, Reunion. Epstein, who plays alto saxophone with the PVR-Jazz ...
Art Pepper: Blues for the Fisherman
by C. Michael Bailey
Art PepperBlues for the FishermanWidow's Taste2011 Laurie Pepper has been the lightning rod for the music of her late husband, Art Pepper, since the saxophonist's death at 56 in 1982. She took proper control of his musical legacy in 1981 on the advice of the couple's accountant, ...
Anthony Braxton: Trio and Quintet (Town Hall) 1972
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by Raul d'Gama Rose
If Anthony Braxton were to be judged on the basis of his oeuvre alone, he would stand completely apart from any modern composer, bar none. He has an enormous body of work, written for every conceivable permutation and combination of ensemble, from two to over a hundred and also for practically all the modern instruments known ...
Ken Peplowski: In Search Of ...
by Dan McClenaghan
The splenetic and hard-nosed clarinetist/bandleader Benny Goodman admired tenor saxophonist Ken Peplowski enough to hire the younger musician on for his last performing band, during the mid-1980s. But the Cleveland, Ohio-born and bred Peplowski's main ax was, in fact, the clarinet. He spent a good part of his early career playing in Polish polka bands, and ...
Ken Peplowski: In Search Of ...
by Bruce Lindsay
Ken Peplowski is a clarinet virtuoso, with a tone of such warmth and beauty that it takes only a few bars to create a feel-good atmosphere, either in performance or, as he ably demonstrates on In Search Of ..., in the studio. Although Peplowski has over 20 albums to his name as leader, he's still experimenting, ...
Michael Feinberg: With Many Hands
by Raul d'Gama Rose
On With Many Hands, bassist/composer Michael Feinberg charts his epic journey across the topographic ocean of sound, every once in awhile plunging into its depths to stir up a vortex and emerge with a roar. His playing is that driven by a powerful natural energy. Thus, he disappears and explores the temples of tone and timbre, ...
Jazz vs Racism
by Greg Thomas
Jazz saved me from becoming a racist. Back in the early to mid-1980s, while attending Hamilton College in central New York, I learned details about the transatlantic slave trade that sickened and angered me. I read about the history of the abolitionist movement in the 1800s, and the civil rights movements of last century, ...
Toots Thielemans: European Quartet Live
by Raul d'Gama Rose
Miles Davis never liked the use of the term “legend," to describe a living musician, but perhaps an exception ought to be made in the case of Toots Thielemans, who ranks with the great Larry Adler as one of the greatest harmonica players, one for whom music has specially been composed. On ˂em˃Live˂/em˃, together with his ...
Gene Ludwig: Love Notes of Cole Porter
by Dan McClenaghan
The Hammond B3 organ combo has always seemed like a working man's jazz group. Drums/guitar/organ groups, often with a saxophone, was a brand of music brought to popularity in the mid-fifties by Jimmy Smith, with interest in the B3 soul jazz sound exploding in the sixties with the work of Jimmy McGriff and Jack McDuff, and ...
Gene Ludwig: Love Notes Of Cole Porter
by Dan Bilawsky
The release of Gene Ludwig's Love Notes Of Cole Porter is a bittersweet event. While this collection of music shines a spotlight on one of the great, under-recognized organ talents in the world of jazz, it also marks the final recording from this mainstay of the Pittsburgh jazz scene. Ludwig passed away suddenly in the summer ...
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