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Roberto "Zizzi" Zanetti, Orrin Evans, and Michael Formanek
by Bob Osborne
From Verona, Italy Roberto “Zizzi" Zanetti takes us on a trip through the jazz of the Roaring Twenties paying homage to the music innovators who flourished during the social and political problems of the Prohibition Era. Orrin Evans raises the temperature with live recordings from his large ensemble The Captain Black Big Band and Michael Formanek ...
Javon Jackson, Jonathan Finlayson & More
by Joe Dimino
This week's episode begins with the exceptional saxophonist Javon Jackson and music off his latest CD For You. The show revolves around Javon's long jazz journey as we play cuts from legends like Sonny Stitt and Art Blakey. The show goes on to highlight new music from Stefon Harris, Javier Santiago and Freckle Legend.
Sidney Hauser: Justice and Jubilation
by Paul Rauch
The hiring of young saxophonist Sidney Hauser, to fill the second alto saxophone chair with the prestigious Seattle Repertory Jazz Orchestra may seem like a musical sidenote to the history of this 17 piece ensemble that was formed in 1995. But considering the marginalization of women instrumentalists in jazz over the course of the genre's history, ...
The Bach's Beach Vision Of Jazz Heaven
by Arthur R George
Heaven for some is a baseball diamond in an Iowa cornfield. For Pete Douglas, it was a house on a beach with a jazz club in his living room, a would-be heaven also for anyone who dropped in. Douglas passed on, in 2014 at age 85, sitting at his desk overlooking the Pacific Ocean. But his ...
The Ken Peplowski Big Band: Sunrise
by Jack Bowers
Many contemporary big bands are all about “breaking new ground" and “exploring new pathways." Not this one. Ace clarinetist Ken Peplowski, who has performed and recorded with myriad large ensembles, at home and abroad, but has seldom led one--although he did record one other big-band album, Last Swing of the Century (Concord Jazz, 1999)--simply wants to ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Eric Siereveld: Walk The Walk
by Jack Bowers
The “organic" in trumpeter Eric Siereveld's Organic Quintet doesn't mean the group has no artificial ingredients or synthetic preservatives; rather, it denotes the fact that the quintet's modus operandi rests in some measure on the well-defined tone colors produced by Steve Snyder's indispensable Hammon B3 organ. The word “indispensable" is used because it is Siereveld's purpose ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Riccardo Fassi: Tankio Band, Frank Zappa, Antonello Salis e molto altro
by Angelo Leonardi
Fondatore e leader della Tankio Band, una delle più innovative e longeve orchestre italiane, Riccardo Fassi eccelle anche in veste di pianista e tastierista in piccoli organici e come compositore di colonne sonore. L'occasione per quest'intervista ad ampio raggio e ricca di aneddoti, viene dalla pubblicazione con la Tankio Band del secondo capitolo sulle musiche di ...
Adam Shulman Sextet: Full Tilt
by Jack Bowers
In music, as in life, not every new voice is worth hearing. Here's one that is. Full Tilt, the fifth CD by San Francisco-born and based pianist Adam Shulman's sextet, is a throwback to those halcyon days when bop was king and giants like Diz, Bird, Miles, Max Roach, Hank Mobley, Benny Golson, Horace Silver, Wardell ...
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