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Peter Bernstein Quartet al Teatro Franco Parenti di Milano
by Claudio Bonomi
Peter Bernstein Quartet Rassegna “Jazz al Parenti" Teatro Franco Parenti Milano 22.03.2015 Il secondo appuntamento di Jazz al Parenti, nuova rassegna milanese dedicata al jazz curata da Gianni Morelenbaum Gualberto (direttore artistico anche di Aperitivo in Concerto, manifestazione che si tiene invece al Teatro Manzoni da ...
Larry Coryell: Less Rock, More Jazz
by Todd S. Jenkins
This interview was originally published at All About Jazz in June 2001. A true jazz pioneer, guitarist Larry Coryell was one of the earliest musicians to experiment with the fusion of jazz and rock styles. Originally from Galveston, Texas, Coryell moved to New York in 1965, at a time when the city's music scene ...
Michael Brecker: He Can Groove Any Way You Want
by Mike Brannon
This article was originally published at All About Jazz in August 1998. Once one half of the world renown Brecker Brothers and full time studio legend, tenor saxophonist Michael Brecker relinquished that throne to form a group and deliver his own material. Though the Coltrane influence is present in spirit, its simultaneously transcended, skewered even, by ...
Kirk Knuffke: Arms & Hands
by Mark Corroto
Sometime, watch children as they eat the M&Ms. They will separate the colors into several piles--green, red, brown, yellow, orange, and blue. It's not that each color tastes different, except for maybe blue--I don't remember ever seeing that color before. Nonetheless, they go about savoring each color batch as an independent experience. Those little candies come ...
A Fireside Chat With Chris Potter
by AAJ Staff
This article was originally published in December 2001.I remember first seeing Chris Potter playing with Paul Motian and most recently with the highly regarded Dave Holland Quintet. His improvement in the two or so years time is nothing short of remarkable. I can only compare his development with Scott Colley, who happens (and not ...
Interview: Andy Waddell
Q: How do you feel you have developed creatively with your new album, Alive? A: This is an honest trip. It came like Sunday boredom, almost baptismal, a dip in the river after a week’s bend. I've been writing and creating my own music for a long time, but everything on this album came from a ...
Glenn Zottola: A Jazz Life - The Early Years
by Nicholas F. Mondello
Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, “musical natural" and aural savant also percolate rapidly to mind. Now ...
Paul Chambers: Whims of Chambers – Blue Note 1534
by Marc Davis
At Blue Note Records in the 1950s, bassist Paul Chambers and drummer Philly Joe Jones were about as common as grits at a Southern diner. And about as noticeable, too--not flashy, just solid and reputable. Blue Note never had a “house band," but if it had, Chambers and Jones would have been the hard ...
Thelonious Monk
by Chris M. Slawecki
Thelonious Sphere Monk is one of the true great jazz originals. Monk's family moved from North Carolina to New York City while he was still an infant. He began piano lessons around age 12, playing Harlem rent parties then graduating to Harlem clubs such as Minton's Playhouse. Monk often played with Dizzy Gillespie and ...
Orrin Keepnews: Classic Producer of Classics
by R.J. DeLuke
This interview was originally published in August 2007. As a city boy who took a liking to jazz music and extended it into a budding career as a journalist, Orrin Keepnews may have inadvertently veered into the record-producing arena that generated classic albums from a wide range of unforgettable artists. Maybe it was a ...
