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Article: Interview

Riccardo Brazzale - Direttore Artistico di Vicenza Jazz

Read "Riccardo Brazzale - Direttore Artistico di Vicenza Jazz" reviewed by Libero Farnè


Nel mondo del jazz italiano Riccardo Brazzale è un personaggio ben noto per le attività interconnesse che da decenni svolge con competente coerenza. Innanzi tutto dirige con chiarezza di concezione la Lydian Sound Orchestra, larga formazione attiva dal 1989 e con una decina di CD al suo attivo, che raccoglie alcuni protagonisti dell'ambito veneto. ...

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Article: Interview

Ralph Towner: un americano a Roma

Read "Ralph Towner: un americano a Roma" reviewed by Mario Calvitti


Ralph Towner rappresenta sicuramente una figura atipica nel vasto mondo della chitarra jazz. In primo luogo per gli strumenti usati: la chitarra classica, che negli anni '60 in ambito jazzistico era utilizzata solamente da musicisti legati alla musica brasiliana come Charlie Byrd, Laurindo Almeida e Bola Sete, e la chitarra 12-corde, che proveniva dal mondo folk ...

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Article: Album Review

Cory Weeds & the Jeff Hamilton Trio: Dreamsville

Read "Dreamsville" reviewed by Jack Bowers


Even though the substance and framework of jazz are constantly changing and evolving, the music's bedrock--marked by spontaneity and free-wheeling swing--remains essentially unimpaired and secure. And when it comes to swinging, it's hard to eclipse the irrepressible pulse of the tenor saxophone, an instrument whose long and enduring ties to jazz and swing have been epitomized ...

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Article: Interview

Fred Anderson: On the Run

Read "Fred Anderson: On the Run" reviewed by Lazaro Vega


This interview was first published at All About Jazz in August 2002 and is part of our ongoing effort to archive pre-database material. The Roscoe Mitchell Quintet with special guest Fred Anderson played a successful benefit concert for Blue Lake Fine Arts Camp at the Wealthy Theatre in Grand Rapids, Michigan. The quintet's performance, ...

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Article: Album Review

John Swana: Bright Moments

Read "Bright Moments" reviewed by Victor L. Schermer


Simply put, this album is so listenable and stood out so noticeably among the many CDs I've been spinning for myself recently, that I thought All About Jazz readers ought to know about it. I first heard then trumpeter John Swana a decade or more ago when he jammed at pianist Tom Lawton's memorable long-term gig ...

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Article: Interview

Lew Tabackin: A Life in Jazz

Read "Lew Tabackin: A Life in Jazz" reviewed by Rob Rosenblum


Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...

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Article: Out and About: The Super Fans

Meet John Reilly

Read "Meet John Reilly" reviewed by Tessa Souter and Andrea Wolper


John Reilly--yet another of our Super Fans who works for the city of New York--was born on Staten Island, where he still lives. We don't know if it's something to do with working for the city, or just a function of growing up in the capital of jazz, but John is the real thing. The son ...

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Article: Extended Analysis

Charlie Watts Meets the Danish Radio Big Band

Read "Charlie Watts Meets the Danish Radio Big Band" reviewed by Nenad Georgievski


A film director once said that you can't make a great film with a weak script. The same goes for bands of any kind be it jazz or rock or any kind. You can't have a great band without a great drummer. A band can get by with an average bassist or guitarist, but not with ...

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Article: Album Review

Free Nelson Mandoomjazz: The Organ Grinder

Read "The Organ Grinder" reviewed by Chris M. Slawecki


Search as far and wide as you like but you won't find any one band that sounds like Edinburgh, Scotland's Free Nelson Mandoomjazz. You CAN find about eight, though: Their sprawling, monstrous “doomjazz" combines harmonic and rhythmic streams from various free jazz and heavy metal schools, including and especially Black Sabbath, Albert Ayler, Electric Wizard, Sonny ...

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Article: Album Review

Jason Rigby: Detroit-Cleveland Trio: One

Read "One" reviewed by Dan McClenaghan


The saxophone/bass/drums format has its challenge: the lack of a harmonic instrument to add depth and structure to the sound. Sonny Rollins put out a classic of the form: A Night At The Village Vanguard (Blue Note, 1958). But he's Sonny Rollins, and all the other saxophonist aren't. Same thing with Ornette Coleman and his two ...


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