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Fred Anderson: On the Run
by Lazaro Vega
This interview was first published at All About Jazz in August 2002 and is part of our ongoing effort to archive pre-database material. The Roscoe Mitchell Quintet with special guest Fred Anderson played a successful benefit concert for Blue Lake Fine Arts Camp at the Wealthy Theatre in Grand Rapids, Michigan. The quintet's performance, ...
John Swana: Bright Moments
by Victor L. Schermer
Simply put, this album is so listenable and stood out so noticeably among the many CDs I've been spinning for myself recently, that I thought All About Jazz readers ought to know about it. I first heard then trumpeter John Swana a decade or more ago when he jammed at pianist Tom Lawton's memorable long-term gig ...
Lew Tabackin: A Life in Jazz
by Rob Rosenblum
Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...
Meet John Reilly
by Tessa Souter and Andrea Wolper
John Reilly--yet another of our Super Fans who works for the city of New York--was born on Staten Island, where he still lives. We don't know if it's something to do with working for the city, or just a function of growing up in the capital of jazz, but John is the real thing. The son ...
Charlie Watts Meets the Danish Radio Big Band
by Nenad Georgievski
A film director once said that you can't make a great film with a weak script. The same goes for bands of any kind be it jazz or rock or any kind. You can't have a great band without a great drummer. A band can get by with an average bassist or guitarist, but not with ...
Free Nelson Mandoomjazz: The Organ Grinder
by Chris M. Slawecki
Search as far and wide as you like but you won't find any one band that sounds like Edinburgh, Scotland's Free Nelson Mandoomjazz. You CAN find about eight, though: Their sprawling, monstrous “doomjazz" combines harmonic and rhythmic streams from various free jazz and heavy metal schools, including and especially Black Sabbath, Albert Ayler, Electric Wizard, Sonny ...
Jason Rigby: Detroit-Cleveland Trio: One
by Dan McClenaghan
The saxophone/bass/drums format has its challenge: the lack of a harmonic instrument to add depth and structure to the sound. Sonny Rollins put out a classic of the form: A Night At The Village Vanguard (Blue Note, 1958). But he's Sonny Rollins, and all the other saxophonist aren't. Same thing with Ornette Coleman and his two ...
Valentin Caamaño: Green With Envy
by James Nadal
Nearly forty years after his death, guitarist Grant Green is finally receiving the credit and recognition which eluded him during his lifetime. Besides having a distinctive and identifiable style, Green was the most prolific artist on the Blue Note label during the 1960's. His '61 recording of Green Street, contains the track Green With Envy, selected ...
Brilliant Corners 2017
by Ian Patterson
Brilliant Corners 2017 Various Venues Belfast, N. Ireland March 7-11, 2017 In just five years, Brilliant Corners--Belfast's only jazz festival--has earned a reputation for adventurous programing. The 2017 edition went one further, with the inclusion of alt rock and electronic music stretching the boundaries of what constitutes a jazz festival ...
Remembering Milt Jackson
by Lazaro Vega
This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material. This interview was conducted prior to a Modern Jazz Quartet performance at Hope College, Holland, Michigan in September of 1989. Broadcast at the time on Blue Lake Public Radio; portions of ...
