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Ralph Lalama Quartet: The Audience
by C. Michael Bailey
Dexter Gordon achieved a post-bebop tenor saxophone sound that was Somewhere between the sleepy, vibrato-less tone of Lester Young and the falling-off- the-edge wail of John Coltrane. Yonkers native Ralph Lalama comes It is out of this tradition. On his fifth recording as a leader and his first release since 2008's successful Energy Fields (Mighty Quinn), ...
Christian Scott: Breaking Boundaries, Crossing Lines
by Frederick Bernas
Christian Scott is lounging on a black leather couch, easy and relaxed before taking to the stage at a Moscow jazz club. The cold, gloomy Russian capital hosted the New Orleans trumpeter's quintet for a trio of gigs in February 2009--including a show at the US ambassador's cushy residence, in front of an elite audience of ...
Luis Bonilla: I Talking Now
by Franz A. Matzner
Trombonist, composer, bandleader and professor Luis Bonilla is not a tortured artist. One cannot imagine him careening from one imbalanced extreme of self- reflection to the other or participating in anything particularly self-indulgent, whatsoever. He is a loving husband and a father who seems to inhale and exhale commitment to his two-year-old daughter. The middle son ...
Ralph Lalama: The Audience
by Joel Roberts
Tenor saxophonist Ralph Lalama is a respected jazz journeyman probably best known for his more than 25-year tenure with the Vanguard Jazz Orchestra. He's also played and recorded with the Joe Lovano Nonet, the Carnegie Hall Jazz Band and drummer Joe Morello's group, among others. But he's had relatively few opportunities to record as a leader. ...
Sonny Rollins Named 2010 Edward MacDowell Medalist, the First Jazz Composer to be so Honored
The MacDowell Colony, the nation's leading artist residency program, will present its 51st Edward MacDowell Medal to jazz composer and tenor saxophonist Sonny Rollins on Sunday, August 15. The MacDowell Medal has been awarded annually since 1960 to an individual who has made an outstanding contribution to his/her field, and this year marks the first time ...
Rodrigo Amado: Motion Trio
by Clifford Allen
Abstraction is too often both separated from and associated with improvised music. Either sounds are divorced from meaning outside themselves, or expected to tell some sort of story. Neither euphemism really works that well. But image is a central fact of Portuguese improviser Rodrigo Amado's work, whether referring to the representational or nonrepresentational--after all, in addition ...
Robin D.G. Kelley on Thelonious Monk: The Man, the Myth, the Music
by Victor L. Schermer
Robin D.G. Kelley is the author of Thelonious Monk: The Life and Times of an American Original (Free Press, 2009), the already definitive biography that has received rave reviews in the press and is the topic of conversation of Monk fans and musicians everywhere. Kelley offers the rich perspective of an African-American historian ...
Seven Steps to Soul
by Chris M. Slawecki
In a narrow view, soul music is a style of rhythm and blues in which the object of affection is most often a lover who's either in view or long been out of sight. But from a wider perspective, soul music can also tell the story of a nation's memories and dreams, and articulate the spirit ...
Dee Dee Bridgewater: Dee Dee on Billie
by Esther Berlanga-Ryan
It is almost inevitable for most people to think of Billie Holiday as a wounded human being who suffered, struggled and eased her pain with drugs and song lyrics on her way to self destruction in 1959. In her greatness, Billie was as devastating and as devastated as a summer with no water. And yet her ...
Take Five With Frank Barton
by AAJ Staff
Meet Frank Barton:Active in music since the 1980s, Frank is currently recording and playing music in Hawaii. In 2009, he recorded “Kodiak Shoreline" in Alaska- a collection of original instrumental compositions. He is the electric guitarist for the New York based band Funky Blue Muskrats--playing a mix of original material and songs by artists ...
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