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Quinsin Nachoff: Magic Numbers
by AAJ Italy Staff
Quinsin Nachoff è un giovane sassofonista canadese, che - oltre ad aver collaborato con il suo illustre compatriota Kenny Wheeler - ha sviluppato un certo interesse per la musica europea. Quella di John Taylor ed Ernst Reijseger, ad esempio, con i quali pubblicherà il suo prossimo album, ma anche quella più accademica, con il calore e ...
Way Out East
Label: Songlines Recordings
Released: 2006
Track listing: LB; Way Out East; A Remembrance
Think Like The Waves
By Paul Motian
Label: Songlines Recordings
Released: 2006
Track listing: Yellow Spot Into The Sun; Different Places; Platform; Renunciation; Morning Moon; Ginger Root; 100 Years; Distant; Combustion; Think Like The Waves; Cobble Hill; Albert The Monk; String Quartet #6; Strathcona.
Stories to Tell
By Sean Noonan
Label: Songlines Recordings
Released: 2006
Track listing: Massana Cissé; Esspi; Noonbrews; Connection; Urban Mbalax; No Strings Attached; NY; Pineapple; Scabies; Dr. Sleepytime.
The Distance
By Chris Gestrin / Ben Monder / Dylan van der Schyff
Label: Songlines Recordings
Released: 2006
Track listing: Ferns; Treacle; #47; Dark Engine; Treant; View from the Road; Extrinsic; The Distance;
Voice in the Night; Second Approximation.
Magic Numbers
Label: Songlines Recordings
Released: 2006
Track listing: There & Back; To Solar Piazza; How Postmodern of Me; October; Branches; Circles & Waves; Whorls; Sun-Day.
The Distance
Label: Songlines Recordings
Released: 2006
Track listing: Ferns; Treacle; #47; Dark Engine; Treant; View from the Road; Extrinsic; The Distance; Voice in the Night; Second Approximation.
Think Like the Waves
Label: Songlines Recordings
Released: 2006
Track listing: Yellow Spot into the Sun; Different Places; Platform; Renunciation; Morning Moon; Ginger
Root; 100 Years; Distant; Combustion; Think Like the Waves; Cobble Hill; Albert the Monk;
String Quartet #6; Strathcona.
Gordon Grdina / Gary Peacock / Paul Motian: Think Like the Waves
by Jeff Dayton-Johnson
Vancouver electric guitarist Gordon Grdina's tone is clean and low-treble; this creates a kind of dreamy effect, like Jim Hall's sound on his classic duet with Bill Evans, Undercurrent (Blue Note, 1962). And speaking of Evans, Grdina scores an impressive coup by recording this trio album in the company of two Evans alumni, bassist Gary Peacock ...
