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Article: Album Review

Theo Bleckmann - Ben Monder: At Night

Read "At Night" reviewed by AAJ Italy Staff


L'album si intitola At Night, ed effettivamente le atmosfere sono notturne. I brani si muovono in prevalenza su mezzi tempi, con strutture delicate ed eteree. Tuttavia ci sembra che l'elemento unificante dell'album, la sua identità più vera e profonda, non sia tanto la notte, quanto la musica degli anni '70. Suoni di chitarra saturi e sperimentazioni ...

1

Article: Album Review

Chris Gestrin: After the City Has Gone: Quiet

Read "After the City Has Gone: Quiet" reviewed by AAJ Italy Staff


“Non mi piace parlare di musica perché, come ogni forma d’arte, essa si relaziona in maniera differente con ciascuna persona“. E in effetti ascoltando After the City Has Gone: Quiet, ultimo lavoro discografico del pianista, compositore ed ingegnere del suono canadese Chris Gestrin, verrebbe da seguire alla lettera l’affermazione che apre le stringate note di copertina ...

1

Article: Album Review

Andy Milne: Dreams and False Alarms

Read "Dreams and False Alarms" reviewed by AAJ Italy Staff


L'M-Base Collective e Steve Coleman avevano dato a Andy Milne una grande chance: l’approccio innovativo all’improvvisazione (M-Base sta per Macro - Basic array of structured extemporizations). E Milne non si era fatto sfuggire l’occasione. Subito metteva in evidenza il suo talento creativo e in poco tempo si imponeva come uno dei più talentuosi pianisti in circolazione. ...

1

Article: Album Review

James Carney: Green-wood

Read "Green-wood" reviewed by AAJ Italy Staff


Che sorpresa! E’ vero che leggendo i nomi riportati sul retro copertina verrebbe da mettersi il cuore in pace sulla qualità dell’ascolto, ma non sempre la presenza di grandi musicisti assicura la realizzazione di un gran disco. E invece Green-Wood un gran disco lo è proprio! Basta ascoltare l’inizio di “Power“, una sorta di prova d’orchestra ...

483

Article: Album Review

Poolplayers: Way Below The Surface

Read "Way Below The Surface" reviewed by Mark Corroto


Sublimely titled, there is indeed something Way Below The Surface happening on this fifty-eight minutes of music making. There, just beyond your vision (perhaps in your ears) flows a current of thought, emotion and meaning.Readers might find this description vague as to details, but Poolplayers intentionally conceal the bright lines and themes evident in ...

275

Article: Album Review

Wayne Horvitz Gravitas Quartet: One Dance Alone

Read "One Dance Alone" reviewed by Troy Collins


A veteran of the early eighties Downtown New York scene, keyboardist and composer Wayne Horvitz's relocation to the West Coast two decades ago has found him leading numerous projects, from large ensembles to solo performances. The Gravitas Quartet is one of his most recent forays, a chimerical union of neo-classical restraint, post-rock ambience and jazz improvisation.

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Article: Record Label Profile

Songlines Recordings

Read "Songlines Recordings" reviewed by Celeste Sunderland


Bill Frisell's music is painterly. It inspires a lush, textured sense of motion. So do the works of artist Gerhard Richter. That these two were paired five years ago at an exhibition in San Francisco makes perfect sense. Eight of Richter's Abstract Pictures hung at the San Francisco Museum of Modern Art as part of a ...

263

Article: Album Review

Ryan Blotnick: Music Needs You

Read "Music Needs You" reviewed by Marcia Hillman


Guitarist Ryan Blotnick is on a journey of exploration on this, his first CD. All of the compositions are his originals with one exception--a ballad by alto saxophonist Pete Robbins. Blotnick is accompanied on this journey by Robbins as well as Albert Sanz (piano), Perry Wortman (bass) and Joe Smith (drums), a quintet that was assembled ...

281

Article: Album Review

Ryan Blotnick: Music Needs You

Read "Music Needs You" reviewed by Martin Gladu


As Jack Kerouac's call for a “rucksack revolution" enticed America's youth to discover themselves and the world through rallies and road trips, musicians, for their part, have found taking the road at the same time an uprooting obligation and liberating transience. After all, as the proverb goes, travels do broaden the mind.A young globe-trotter ...

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Article: Album Review

Chris Gestrin: After the City Has Gone: Quiet

Read "After the City Has Gone: Quiet" reviewed by Jerry D'Souza


Back in 2004, Chris Gestrin (piano, prepared piano, percussion) went into a studio in Vancouver to record his music. He had a dream and he wanted to realize it with musicians that he had long wanted to play with and those that had made a mark on the improvised music scene. Some of it was written, ...


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