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655

Article: Extended Analysis

Soft Machine: NDR Jazz Workshop - Hamburg, Germany May 17, 1973

Read "Soft Machine: NDR Jazz Workshop - Hamburg, Germany May 17, 1973" reviewed by John Kelman


Every year it seems that more archive material is unearthed from Soft Machine, the legendary British group that began life in Dadaist psychedelia, but wound down as a powerhouse, chops-centric, fusion outfit at the end of the 1970s, with stops in more complex writing and free jazz territory along the way. As influenced by minimalist composers ...

387

Article: Album Review

Don Rendell Ian Carr Quintet: Live at the Union 1966

Read "Live at the Union 1966" reviewed by John Kelman


During its five-year run, the Don Rendell Ian Carr Quintet was one of the UK's premiere small ensemble jazz groups. Five albums on Columbia didn't hurt either, from 1965's Shades of Blue through to 1969's Change Is, where dissention ultimately resulted in the band's dissolution. Sometimes it's for the best, though; saxophonist/flautist Rendell continued on in ...

223

Article: Album Review

Beppe Crovella: What’s Rattlin’ On The Moon? A Personal Vision Of The Music Of Mike Ratledge.

Read "What’s Rattlin’ On The Moon? A Personal Vision Of The Music Of Mike Ratledge." reviewed by Nic Jones


The sub-title makes all the difference here. Mike Ratledge was a key member of all the most worthwhile line-ups of Soft Machine, but alone amongst the quartet that consisted of himself, Elton Dean, Hugh Hopper and Robert Wyatt, he didn't go on to develop a solo career once he left the band. This and the passing ...

1,324

Article: Extended Analysis

Eberhard Weber: Colours

Read "Eberhard Weber: Colours" reviewed by John Kelman


As the jazz-rock fusion movement gained ground from its early years in the late 1960s through its glory days in the early-to-mid-1970s—blending the more sophisticated harmonies of jazz with rock music's rhythmic power and high volume—all too often it was about muscular chops and complex writing for the sake of it. Little attention was paid to ...

326

Article: Extended Analysis

Soft Machine: Live At Henie Onstad Arts Centre 1971

Read "Soft Machine: Live At Henie Onstad Arts  Centre 1971" reviewed by Nic Jones


Soft Machine Live at Henie Onstad Arts Centre 1971 Reel Recordings 2009Here's some heady stuff from what in 2010 feels like a golden era, dubious though that notion might be in reality. There's already ample evidence that the Mike Ratledge / Elton Dean / Hugh Hopper / Robert ...

Album

Soft Machine: Live at Henie Onstad Arts Centre 1971

Label: Reel Recordings
Released: 2009
Track listing: CD1: Intro; Facelift; Virtually; Slightly All The Time; Fletcher's Blemish. CD2: Neo-Caliban Grides; Out-Bloody-Rageous; Eammon Andrews; All White; Kings and Queens; Teeth; Pigling Bland; Noisette.

Album

Live At Henie Onstad Art Centre 1971

Label: Comma (Japan)
Released: 2009

950

Article: Extended Analysis

Lizard (40th Anniversary Series)

Read "Lizard (40th Anniversary Series)" reviewed by John Kelman


Often forgotten and sometimes maligned, Lizard is a King Crimson classic that's waited to be found for nearly 40 years. When it was first released in 1970, it was quickly overlooked as a transitional album between the group that recorded/released/toured its seminal debut, In the Court of the Crimson King (DGM Live, 1969) and the Crimson ...

845

Article: Extended Analysis

Soft Machine: Live at Henie Onstad Arts Centre 1971

Read "Soft Machine: Live at Henie Onstad Arts Centre 1971" reviewed by John Kelman


Soft Machine Live at Henie Onstad Arts Centre 1971Reel Recordings2009 It's a curious thing, but live performances can be issued all the time in the jazz world without the suggestion that there are too many of them, while in the rock world the release of too many similar programs will ...

636

Article: Album Review

Fire!: You Liked Me Five Minutes Ago

Read "You Liked Me Five Minutes Ago" reviewed by John Kelman


Mats Gustafsson and the word “accessible" are rarely found in the same sentence. For over two decades, this Swedish reed player has been mining the extreme end of free improvisation and cued composition with like-minded players including Peter Brötzmann, Ken Vandermark, and The Thing, his ongoing collective with bassist Ingebrigt Håker Flaten and drummer Paal Nilssen-Love. ...


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