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289

Article: Album Review

Hugh Hopper: The Gift of Purpose

Read "The Gift of Purpose" reviewed by Mark Redlefsen


Posthumously released under the name of late ex-Soft Machine/Soft Machine Legacy bassist Hugh Hopper, The Gift of Purpose captures a live studio performance from early 2008, featuring a trio project called Bone, along with guitarist Nick Didkovsky and drummer John Roulat. Rreleased as a benefit for Hopper's family--to which all proceeds of the sale of the ...

179

Article: Album Review

Elton Dean's Ninesense: Happy Daze + Oh! For The Edge

Read "Happy Daze + Oh! For The Edge" reviewed by Mark Redlefsen


This reissue of two Ninesense recordings, from the late British saxophonist Elton Dean, creates a gateway back to the London jazz scene of the 1970s. Digging into bands that he played with previously outside of his work with Soft Machine, he formed the nine-piece Ninesense with Keith Tippett, along with several other members of that pianist's ...

316

Article: Album Review

Soft Machine: NDR Jazz Workshop –Hamburg, Germany 1973

Read "NDR Jazz Workshop –Hamburg, Germany 1973" reviewed by Nic Jones


By May, 1973, Soft Machine was well on its way from being a truly remarkable outfit to being a comparatively anonymous fusion band. This CD and DVD set goes to show this, but at least the music is played with the kind of fire that wasn't apparent on their studio albums of the time.

239

Article: Album Review

Soft Machine: Softs

Read "Softs" reviewed by John Kelman


The last several years have seen the bulk of legendary British group Soft Machine's original recordings reissued: some available after years out-of-print; all receiving sonic upgrades as definitive as they'll likely ever get. Still, Esoteric Recordings' Mark Powell gave all the love he could to Sony's reissue of the group's classic Third (1970), but its marginal ...

236

Article: Album Review

Soft Machine: Land of Cockayne

Read "Land of Cockayne" reviewed by John Kelman


Three years after Alive & Well: Recorded in Paris (Harvest, 1978), Britain's Soft Machine suddenly resurfaced momentarily with Land of Cockayne. Given the experimental nature of its glory days and a latter-day fusion masterpiece in Bundles (Esoteric, 1975), it's understandable why Cockayne has historically been considered Soft Machine's dullest moment. But time heals all wounds, and ...

1,189

Article: Live Review

Norwegian Road Trip, Part 7: Molde Jazz, Days 5-6

Read "Norwegian Road Trip, Part 7: Molde Jazz, Days 5-6" reviewed by John Kelman


Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 [Editors Note: From July 6 to July 26, 2010, All About Jazz Managing Editor John Kelman will travel throughout Norway to cover both the Kongsberg Jazz Festival (also participating in Silver City Sounds) and ...

1,403

Article: Live Review

Norwegian Road Trip, Part 2: Kongsberg Jazz, July 9-10, 2010

Read "Norwegian Road Trip, Part 2: Kongsberg Jazz, July 9-10, 2010" reviewed by John Kelman


Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 [Editors Note: From July 6 to July 26, 2010, All About Jazz Managing Editor John Kelman will travel throughout Norway to cover both the Kongsberg Jazz Festival (also participating in Silver City Sounds) and Molde ...

296

Article: Album Review

Soft Machine: Bundles

Read "Bundles" reviewed by John Kelman


If the recent discovery of NDR Jazz Workshop (Cuneiform, 2010) demonstrated that the once considered “transitional" 1973 line-up of British psychedelia-cum-electric-avant- jazzers Soft Machine was, indeed, a fine enough standalone unit, then Esoteric's near- concurrent reissue of 1975's Bundles proves that the addition of guitarist Allan Holdsworth lit one serious fire beneath that same group. Back ...

655

Article: Extended Analysis

Soft Machine: NDR Jazz Workshop - Hamburg, Germany May 17, 1973

Read "Soft Machine: NDR Jazz Workshop - Hamburg, Germany May 17, 1973" reviewed by John Kelman


Every year it seems that more archive material is unearthed from Soft Machine, the legendary British group that began life in Dadaist psychedelia, but wound down as a powerhouse, chops-centric, fusion outfit at the end of the 1970s, with stops in more complex writing and free jazz territory along the way. As influenced by minimalist composers ...

387

Article: Album Review

Don Rendell Ian Carr Quintet: Live at the Union 1966

Read "Live at the Union 1966" reviewed by John Kelman


During its five-year run, the Don Rendell Ian Carr Quintet was one of the UK's premiere small ensemble jazz groups. Five albums on Columbia didn't hurt either, from 1965's Shades of Blue through to 1969's Change Is, where dissention ultimately resulted in the band's dissolution. Sometimes it's for the best, though; saxophonist/flautist Rendell continued on in ...


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