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257

Article: Album Review

Soft Machine: Tales of Taliesin: The EMI Years Anthology 1975-1981

Read "Tales of Taliesin: The EMI Years Anthology 1975-1981" reviewed by John Kelman


With the release of Bundles (Harvest, 1975), Soft Machine moved more definitively into the riff-based fusion territory that keyboardist/reed man Karl Jenkins had begun pushing the band since his arrival on Six (Sony, 1973). With reeds becoming increasingly less dominant, and the group's only remaining founding member, keyboardist Mike Ratledge, relegated to a backline position, this ...

189

Article: Live Review

Festival International Musique Actuelle Victoriaville 2011

Read "Festival International Musique Actuelle Victoriaville 2011" reviewed by Kurt Gottschalk


Festival International Musique Actuelle Victoriaville Victoriaville, Canada May 19-22, 2011 The 27th annual Festival International de Musique Actuelle de Victoriaville (FIMAV) was a remarkably consistent four days of concerts. It held high points, to be sure (the Ex, Zeena Parkins, Jaap Blonk), and inevitable low points as well. But there was also ...

206

Article: Album Review

James Farm: James Farm

Read "James Farm" reviewed by John Kelman


A byproduct of special event programming at jazz festivals is that sometimes lead to greater things. When guitarist Pat Metheny reunited with vibraphonist Gary Burton's mid-'70s quartet as part of his By Invitation series at the 2005 Montreal Jazz Festival, there were no plans to tour the world in subsequent years and release Quartet Live (Concord, ...

183

Article: From the Inside Out

Mama Africa

Read "Mama Africa" reviewed by Chris M. Slawecki


If you wanted to travel to--oh, let's just say--Tanzania and then from Tanzania to India, then to Puerto Rico, to England, then Spain, to Peru, then to South Africa, to personally experience their musical varieties both garden and exotic, you could do it by cashing in, with rounding, about 28,690 frequent flier miles. Or ...

422

Article: Interview

Planeta Imaginario: Stretches in Spain

Read "Planeta Imaginario: Stretches in Spain" reviewed by Mark Redlefsen


Recently from Barcelona, Spain, members of the jazz/rock improv group Planeta Imaginario discussed their new recording Optical Delusions (Cuneiform Records, 2011) and the group's history. Keyboardist and group leader Marc Capel, who speaks Catalan, shared his thoughts through drummer and chief translator Vasco Trilla. Fretless bassist Dimitris Bikos also sat in for the interview.

131

Article: Album Review

Soft Machine Legacy: Live Adventures

Read "Live Adventures" reviewed by Chris M. Slawecki


Many have found elements of jazz in the music of European progressive rock artists such as Gong, Can, King Crimson and even, to a certain improvisational extent, Yes. Soft Machine Legacy continues this...umm, legacy with an amoeba-like lineup (mostly) from alumni of the original progressive instrumental group Soft Machine: guitarist John Etheridge, bassist Roy Babbington and ...

256

Article: Album Review

Planeta Imaginario: Optical Delusions

Read "Optical Delusions" reviewed by Mark Redlefsen


The term “progressive," when used to describe jazz fusion/rock, suggests a constant forward movement in the music. On Optical Delusions, Planeta Imaginario's third release (and the group's second for international distribution outside of their homeland of Spain), there is a shift towards a sort of larger jazz group sound. The Barcelona-based group delivers thirteen intricate compositions ...

196

Article: Album Review

Soft Machine: Alive & Well: Recorded in Paris

Read "Alive & Well: Recorded in Paris" reviewed by John Kelman


Despite the controversy that plagued the ever-shifting musical persona of Soft Machine during its 15-year run, the benefits of time and hindsight have largely proven the value of every incarnation--albeit best assessed independently, rather than as part of a single continuum. 1978's Alive & Well: Recorded in Paris was the last of a three-record run on ...

177

Article: Album Review

Theo Travis: All I Know: An Anthology

Read "All I Know: An Anthology" reviewed by John Kelman


He's been on the scene for twenty years, but it's only been in the past few that Theo Travis has risen to prominence beyond the expanding group of musicians who call him up when they need a saxophonist/flautist with jazz chops but a rock sensibility--and an appreciation of the organic marriage of technology with acoustic instruments ...

170

Article: Album Review

Piccho dal Pozzo: A_Live

Read "A_Live" reviewed by John Kelman


In the continually expanding world of progressive rock--an expansion facilitated through global communities created via the internet over the last decade-and-a-half--it's increasingly common to find groups garnering far more (and, often, well-deserved) attention than they did back in their time. Italy's Picchio dal Pozzo only released two albums back in the day--Picchio dal Pozzo (Grog, 1976) ...


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